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1 de oct. de 2013 · Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and ...
Collection Information. Size: 5.4 Linear feet. Summary: The papers of art historian, educator, editor, and museum director Robert John Goldwater measure 5.4 linear feet and date from 1902-1974.Found are correspondence, subject files, teaching records, writings, and printed material. Also included are the papers, primarily correspondence, of Goldwater's father, S. S. Goldwater, M. D., a ...
The 1964 presidential campaign of Barry Goldwater began when United States Senator Barry Goldwater of Arizona elected to seek the Republican Party nomination for President of the United States to challenge incumbent Democratic President Lyndon B. Johnson.Early on, before officially announcing his candidacy for the presidency, Goldwater was accused by Governor of New York Nelson Rockefeller of ...
Robert Goldwater ( 1907 e New York - 26 a viz Meurzh 1973 e New York) a oa un istorour war an arz. Gwaz Louise Bourgeois e oa ivez (e 1938 e timezjont). Etre 1934 ha 1957 e kelennas e Queens College e New York. Goude-se e voe anvet da gelenner e skol-veur New York. E 1957 e voe lakaet da rener mirdi arzoù kentidik New York.
Robert Goldwater (23 de novembro de 1907 - 26 de março de 1973) foi um historiador de arte, estudioso de artes africanas e o primeiro diretor do Museu de Arte Primitiva, Nova York, de 1957 a 1973. Ele era casado com a artista americana nascida na França e escultora Louise Bourgeois. [1]
13 de nov. de 2017 · Robert Goldwater was quite explicit in his stance on the relationship between primitivism and modern art. One of Goldwater's most significant contributions to the discussion of primitive art is his insistence that there is no single evolutionary imperative that drives art from historical, psychological, or aesthetic impulses towards a single modern objective.
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