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21 de may. de 2024 · André Kertész has been hailed as one of the most important photographers of the twentieth century. Working intuitively, he captured the poetry of modern urban life with its quiet, often overlooked incidents and odd, occasionally comic, or even bizarre juxtapositions.
21 de may. de 2024 · André Kertész’s Underwater Swimmer, Esztergom. by Holden Luntz. Expanding the Language of Modern Photography. Andre Kertész was a key figure in expanding the language of modern photography. His original use of the camera often underscored life’s beautiful details making them worthy of attention and affection.
21 de may. de 2024 · Andre Kertész developed a sophisticated understanding of formal composition. He used of a broad range of subject matter, and a capacity to create lucid, affective metaphors with the latter. His photograph Homing Ship is a perfect example of Kertész’s lyrical, poetic image making.
Hace 2 días · André Kertész was a Hungarian photographer who emerged as one of the most influential practitioners of the medium. Prizing emotional impact over technique, he famously remarked, “I just walk around, observing the subject from various angles until the picture elements arrange themselves into a composition that pleases my eye.”
17 de may. de 2024 · André Kertész (1894–1985) - Satiric Dancer, 1926 – Courtesy Christie’s. L'Œil de la Photographie. May 17, 2024. At Christie’s in New York, a record was set yesterday for André Kertész after a print of his photograph Satiric Dancer (1926) hammered for $450,000, or $567,000 with fees; that was just above its pre-sale estimate of $500,000–$700,000.
16 de may. de 2024 · 16/05/2024. « André Kertész in Corsica » : l'exposition invisible du musée de Bastia. Philippe Jammes le Dimanche 28 Mars 2021 à 11:03. Depuis novembre 2020, le Centre Méditerranéen de la Photographie propose une belle et intéressante exposition au musée de Bastia. Mais voilà, la pandémie la rend invisible, elle le sera peut-être en juin à Ajaccio.
26 de may. de 2024 · El MNAC cuenta con un gran fondo de fotografía y organiza grandes exposiciones como las que dedicó a Joan Colom, André Kertész y Robert Capa, pero, sostiene Pilar Parcerisas, no existe una entidad pensada para patrimonializar, para historiar la fotografía como tiene Francia.
