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Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film critic.
10 de mar. de 1972 · Pauline Kael’s 1972 review of Francis Ford Coppola’s classic mob movie, based on the Mario Puzo book and starring Marlon Brando, Al Pacino, James Caan, Diane Keaton, and Robert Duvall.
13 de mar. de 1994 · From 1994: Writing for The New Yorker from 1967 to 1991, Pauline Kael changed the way people talk about movies. But it wasn’t always easy.
25 de may. de 2012 · May 25, 2012. “Star Wars” is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference, yet it’s a ...
14 de nov. de 2020 · David Fincher’s new film, “Mank,” is an attempt to define the nature of Mankiewicz’s contribution to “Citizen Kane,” and to the history of cinema—and to dramatize his battle to get ...
Pauline Kael on Arthur Penn’s 1967 film, “Bonnie and Clyde,” starring Faye Dunaway and Warren Beatty. ... Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991.
19 de nov. de 1978 · THE CURRENT CINEMA. By Pauline Kael. November 19, 1978. The New Yorker, November 27, 1978 P. 182. Review of "Midnight Express". The audience is told that this film is "based on a true story", from ...
