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From Wikipedia, the free encyclopedia. William Cameron Menzies (July 29, 1896 – March 5, 1957) was an Academy Award-winning American film production designer (a job title he invented) and art director who also worked as a director, producer, and screenwriter during a career spanning five decades. He earned acclaim for his work in silent movies, and later pioneered the use of color in film ...
Réalisateur, décorateur et producteur américain: William Cameron MENZIES est né à New York, le 29 juillet 1896. Il débute comme décorateur dans les années 20 et s'illustre par les extraordinaires décors du Voleur de Bagdad de Raoul Walsh (il signera ceux du remake de Michael Powell). Dès lors, il travaillera avec les plus grands assurant les fonctions de décorateur, directeur ...
Búsqueda de "William Cameron Menzies" Filtro; Título 0 ; Personas 1 ; Cines 0 ; William Cameron Menzies. Director; en . El ladrón de Bagdad (1940) Invasores de Marte (1953) La vida futura (1936) Si no encuentras lo que buscas, inténtalo ...
William Cameron Menzies (ur. 29 lipca 1896 w New Haven, zm. 5 marca 1957 w Los Angeles) – amerykański scenograf i reżyser filmowy, trzykrotny laureat Oscara za najlepszą scenografię [1], pomysłodawca stylu barokowego w scenografii hollywoodzkiej [2] . W swojej pracy inspirował się między innymi niemieckim ekspresjonizmem filmowym ...
William Cameron Menzies was born in New Haven, Connecticut, and educated at Yale and the Art Students League in New York City. He first worked creating advertising illustrations, children’s books, and magazine layouts. After WWI, his friend Anton Grot brought him to Fort Lee Studios in New Jersey an
William Cameron Menzies (New Haven, Connecticut, 1896ko uztailaren 29a - Los Angeles, Kalifornia, 1957ko martxoaren 5a) Ameriketako Estatu Batuetako zinema zuzendari, arte zuzendari eta ekoizlea izan zen, Oscar Sari bi jasotakoa. Kolorea erabiltzen aurrenekoetakoa izan zen. 1924an ekin zion Hollywooden lan egiteari, The Thief of Bagdad ekoizpenean parte hartuta.
William Cameron Menzies was educated at Yale University, the University of Edinburgh and at the Art Students League in New York. He entered the film industry in 1919, after serving with the U.S. Expeditionary Forces in World War I. His initial assignments were in film design and special effects, as assistant to Anton Grot at Famous Players-Lasky.
