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  1. Instructions for a Light and Sound Machine. Tscherkassky concentrates on central motifs from Sergio Leone’s classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero’s head as he dangles from the gallows. Tscherkassky intercuts the latter image with countdown leader, ironically ...

  2. Un programa de proyecciones, un archivo digital con 1.000 películas y actividades didácticas alrededor del cine experimental y de artistas. CERRAR. CCCB; ... Instructions for a light and sound machine. Compartir. Compartir. Facebook; Twitter;

  3. Try 7 Days Free, then $14.99/month. The hero of Instructions for a Light and Sound Machine is easy to identify. Walking down the street unknowingly, he suddenly realizes that he is not only subject to the gruesome moods of several spectators but also at the mercy of the filmmaker.

  4. Póster oficial de Instructions for a Light and Sound Machine (C) - Fotogramas, póster, fotos, wallpapers, carátulas, fotos de rodaje y muchas más imágenes. España. Búsqueda avanzada . ... Películas por temas; Sagas & Franquicias; Series de TV. Series de actualidad; Top series;

  5. Leer críticas de Instructions for a Light and Sound Machine (C), dirigida por Peter Tscherkassky. Año: 2005. Consulta críticas de usuarios y opiniones sobre Instructions for a Light and Sound Machine (C), y lee lo que opinó la crítica tanto profesional como de usuarios de Instructions for a Light and Sound Machine (C)

  6. Film directed by Peter Tscherkassky in 2005. Sound design by Dirk Schäfer. Synopsis 'The hero of Instructions for a Light and Sound Machine is easy to identify. Walking down the street unknowingly, he suddenly realizes that he is not only subject to the gruesome moods of several spectators but also at the mercy of the filmmaker. He defends himself heroically, but is condemned

  7. 2005 / 35mm / b&w / sound / 1S / 17' 00. The hero of Instructions for a Light and Sound Machine is easy to identify. Walking down the street unknowingly, he suddenly realizes that he is not only subject to the gruesome moods of several spectators but also at the mercy of the filmmaker. He defends himself heroically, but is condemned to the ...