Search results
13 de mar. de 1994 · Pauline Kael on her career as a New Yorker film critic, her relationship to her readers, and the efforts she made to preserve her writing’s signature, conversational voice.
31 de ene. de 1999 · Wes Anderson, the director and co-writer of the new offbeat comedy ''Rushmore,'' is a lifelong fan of the New Yorker magazine film critic Pauline Kael, who is now retired. Wanting to show her his ...
30 de ago. de 2019 · A pent-up licentiousness is palpable in her prose, as if cinema is her great aphrodisiac. Kael’s essay “Movies, The Desperate Art” begins: “The film critic in the United States is in a curious position: the greater his interest in the film medium, the more enraged and negative he is likely to sound . . . A few writers, and not Americans ...
14 de nov. de 2022 · Pauline Kael, la critique qui faisait trembler le monde du cinéma . Jérôme Garcin. Rob Garver consacre un documentaire à celle qui fut longtemps critique de films au « New Yorker » et dont les articles enflammèrent le Hollywood des années 1960-1970. Par Jérôme Garcin.
5 de jul. de 2020 · by Pauline Kael. The title of Terry Gilliam ’s Brazil is used nostalgically in a semi-jokey, ironic way. It refers to the 1939 pop song, sung here by Geoff Muldaur, about the romance of a Brazil “where hearts were entertained in June.”. The lyrics end with “Return, I will, To old Brazil.”.
Pauline Kael (* 19. Juni 1919 in Petaluma, Kalifornien; † 3. September 2001 in Great Barrington, Massachusetts) war eine US-amerikanische Filmkritikerin. Sie wird zu den einflussreichsten Filmkritikern des 20. Jahrhunderts gezählt.
26 de oct. de 2011 · By Brian Kellow. Oct. 26, 2011. In addition to her growing dissatisfaction with the run of new movies, Pauline was not particularly happy with her situation at The New Yorker. She continued to do ...
