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14 de nov. de 1976 · Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. More: Carrie. Weekly. Enjoy our flagship newsletter as a digest delivered once a week. E-mail address. Sign up.
16 de jun. de 2019 · June 16, 2019. Photograph from Everett / Shutterstock. Next week marks the hundredth anniversary of the birth of the film critic Pauline Kael. Her arrival at The New Yorker, in the late nineteen ...
18 de nov. de 2012 · Pauline Kael didn’t review it (even when it ran in revival) but, in 1978, complained about it as “a borderline case of immorality… which, because of the director’s cheerful complicity with ...
4 de sept. de 2001 · Pauline Kael, who expressed her passion for movies in jaunty, jazzy prose as the longtime film critic for The New Yorker, died yesterday at her home in Great Barrington, Mass. She was 82.
14 de oct. de 2011 · THE longtime New Yorker film critic Pauline Kael didn’t just write about movies — she made it seem as if they were worth fighting about. Nearly 20 years after her retirement and a decade after ...
Pauline Kael, née le 19 juin 1919 à Petaluma et morte 3 septembre 2001 à Great Barrington (Massachusetts), est une critique de cinéma américaine. Elle a travaillé notamment pour le magazine The New Yorker .
28 de dic. de 2016 · It hasn’t been thought out in human terms. If anybody comes around with a test to detect humanoids, maybe Ridley Scott and his associates should hide. With all the smoke in this movie, you feel as if everyone connected with it needs to have his flue cleaned. SOURCE: The New Yorker, July 12, 1982.
