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  1. 30 de mar. de 2005 · United Artists n'a donc pas en propre de studio de tournage, bien que l'usage tende à l'identifier au Pickford-Fairbanks Studio (ou Pickfair), acheté en 1922 par Mary Pickford et Douglas Fairbanks, qui sont unis en affaires comme à la ville. À la séparation du couple, entre 1933 et 1936, c'est Samuel Goldwyn qui en rachètera les installations.

  2. No longer the smallest of the majors, United Artists grew to become the largest producer-distributor of motion pictures in the world by 1966. Two prestige pictures came to the new UA the first year, Sam Spiegel's The African Queen ( John Huston ,1951) and Stanley Kramer's High Noon ( Fred Zinnemann, 1952).

  3. 4 de oct. de 2019 · United Artists Marks 100 Years of Independent Filmmaking. By Cari Beauchamp. Kobal/Shutterstock. They called themselves United Artists, but the trades called it a “rebellion against established ...

  4. A United Artists-ot Mary Pickford, Douglas Fairbanks, Charles Chaplin és D. W. Griffith alapítottak 1919 -ben, hogy független gyártású filmjeiket forgalmazhassák. Nem volt műtermük. Aranykorát a 20-as években élte, mikor az alapító művészek még aktívan készítettek filmeket.

  5. United Artists (engelska för "förenade artister"), förkortning UA, är ett amerikanskt filmbolag. Det bildades 5 februari 1919 gemensamt av D. W. Griffith, Mary Pickford, Douglas Fairbanks och Charlie Chaplin. [1] Bland de mer kända produktionerna från United Artists finns filmserierna om James Bond och Rosa pantern.

  6. These are the logo variations seen throughout the years by United Artists. There is the text "A UNITED ARTISTS RELEASE" on a black background. A sword rips and makes an x through the logo. Then, the sword slices down, which make the rips of the logo fly back, revealing the opening scene of the film. The logo is written in a messy Roman font and ...

  7. Da una costola della United Artists è nata nel 1957 l' etichetta discografica United Artists Records . Dal 1967 al 1981 la UAC fu acquisita dal gruppo Transamerica. Negli anni sessanta puntò su registi come John Sturges, Stanley Kramer, Norman Jewison e Robert Aldrich e negli anni settanta Woody Allen, Bernardo Bertolucci e Miloš Forman .

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