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9 de sept. de 2008 · Size: 9.25 x 10. ISBN: 9781590306048. In the development of contemporary architecture, no one has had a greater influence than Louis I. Kahn, whose many buildings include the Salk Institute, the Yale Study Center, and the Exeter Library. He is remembered, however, not only as a master builder.
Lecture by Michael J. Lewis, Faison-Pierson-Stoddard Professor of Art History at Williams College in Williamstown, MassachusettsLouis I. Kahn is architecture...
12 de jul. de 1979 · Kahn (1902-1974) was one of the great architects of the twentieth century. John Lobell described Louis Kahn's approach to architecture best in the introduction to his book on Kahn, Between Silence and Light: Louis Kahn saw architecture as the meeting of the measurable and the unmeasurable. He used the word "Silence" for the unmeasurable, for ...
3 de jun. de 2015 · On 12 February 1969, Kahn gave a lecture at the Swiss Federal Institute of Technology Zurich (ETH Zurich), entitled 'Silence and Light'. This fundamental text reveals Kahn's spiritual understanding of architecture and his creative thinking. Kahn's idea of architecture goes far beyond the mere building.
As an architect, educator, and philosopher, Louis Kahn played a prominent role in the history of 20th century architecture. An examination of six of his most significant buildings: The Salk Institute; the Kimbell Art Museum; the Center for British Art; the library at Philips Exeter Academy; the Indian Institute of Management; and the Parliament ...
El 12 de Febrero de 1969 Louis Kahn inauguraba una exposición sobre su obra en la ETH de Zúrich con una charla que había titulado Silence and Light. Como el mismo contaba en el discurso, tan sólo había apuntado algunas notas en una hoja que le servirían de hilo conductor, pero necesitaba una pizarra donde comenzar a dibujar porque «esta vez el dibujo era la charla» [Kahn 2003, p. 244].
1 de dic. de 2015 · Whereas the early diagrams of silence and light represented a separation between the two realms, Kahn’s later sketches reflected an interconnection between the two. 45 The space of silence (the immaterial and unmeasurable for Kahn) corresponded to “the desire to be, to express” that signified the realm of art and culture, but the space of light, “the giver of all presences ...
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