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Due to demand and new online scheduling, Louella is delighted to present to your group in 2022/23. The scintillating stories and scandals of Hollywood's Golden Age are presented by Martina Mathisen as Luella Parsons, Hollywood's most dynamic gossip columnist. Called the Queen of Hollywood, Luella could make or break a career with a few taps of ...
11 de dic. de 2005 · La maledicencia como pasión. Louella Parsons, la más viperina columnista de cotilleos del Hollywood clásico, manejó tanto poder que una frase suya bastaba para destrozar la carrera de una actriz.
Parsons had joined the paper that same year to begin her column “Flickerings in Filmland.”. In 1928, Louella and her daughter Harriet established the Hollywood Women’s Press Club, an informal forum for female reporters and fan magazine writers to exchange ideas and gossip over lunch at the Brown Derby (Barbas 2005, 124–5).
30 de oct. de 2021 · Hoy hablamos de dos mujeres que se convirtieron en la peor pesadilla de las estrellas del Hollywood de los años 30, 40 y 50. Louella Parsons y Hedda Hopper fueron encarnizadas rivales en el campo de batalla del sensacionalismo.
Louella Parsons (lahir Louella Rose Oettinger; 6 Agustus 1881 – 9 Desember 1972) adalah kolumnis film dan penulis latar Amerika pertama. Ia dibela oleh William Randolph Hearst, diyakini karena ia telah memuji gundik Hearst Marion Davies, dan mungkin karena ia membantunya menutupi pembunuhan Thomas H. Ince.
24 de jul. de 2015 · Louella Parsons, the Hollywood mouthpiece for the Hearst empire of newspapers, became a most feared individual. Few stars crossed her, for to do so was tantamount to committing career suicide. Her bitter rival columnist was Hedda Hopper, another woman wielding unbridled power in the industry, but it was Louella who held sway, simply because she had the unlimited resources of William Randolph ...
19 de sept. de 2012 · These are pages containing columns or articles written by Louella O. Parsons, and published in The Morning Telegraph between September-December 1923. These were the final columns by Parsons for the Morning Telegraph before she went to work for Hearst's New York American.
