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28 de ene. de 1991 · The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in Paris was presented for the first time on the closing night of the New York Film Festival, October 14, 1972: that date should become a landmark in movie ...
14 de ago. de 2017 · Pauline Kael, then a freelancer, wrote a seven-thousand-word defense of the movie for The New Republic. When that magazine killed the piece, she placed it in The New Yorker , where she would soon ...
23 de sept. de 1973 · After Innocence. By Pauline Kael. September 23, 1973. The New Yorker, October 1, 1973 P. 113. Review of "The Last American Hero", directed by Lament Johnson. View Article. Published in the print ...
11 de oct. de 1987 · Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. More: Best Seller Dogs. Weekly. Enjoy our flagship newsletter as a digest delivered once a week. E-mail address.
6 de dic. de 2010 · Yet Kael goes on to say of Lanzmann, The heart of his obsession appears to be to show you that the Gentiles will do it to the Jews again if they get a chance. “Shoah” is a long moan. It’s ...
5 de nov. de 1971 · The New Yorker, November 13, 1971 P. 133. ... Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. More: Fiddler on the Roof Jews. Weekly.
12 de nov. de 1971 · Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. More: Violence. Weekly. Enjoy our flagship newsletter as a digest delivered once a week. E-mail address. Sign up.
