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26 de oct. de 2015 · English model Jean Shrimpton at Flemington races on Oaks Day, November 4, 1965. Every sealed window in that dusty library burst open and a cool, fresh wind bubbled across every surface, through ...
30 de abr. de 2011 · Jean Shrimpton was the world's first supermodel and one of the defining faces of the 60s, but gave it all up and became a recluse. She talks to Alex Wade. J ean Shrimpton is nonplussed. She has ...
Jean Rosemary Shrimpton é uma ex-modelo britânica. Ícone de beleza da Swinging London da década de 60 na Inglaterra, é considerada a primeira supermodelo do mundo. Foi por diversas vezes capa de algumas das maiores revistas de moda como Vogue, Elle, Harper's Bazaar e Ladies Home Journal.
20 de nov. de 2019 · With her huge eyes, perfect pout, and scandalously short skirt, Jean Shrimpton was an icon of the swinging sixties. During her career, Jean was dubbed “The It Girl” and “The Face” and was widely reported to be the world’s highest-paid model. (In case you’re thinking, “Hey, this girl sounds like Twiggy,” you’re kind of right.
13 de oct. de 2016 · Jean Shrimpton is known for being one of the world's first supermodels, the highest-paid model of the 1960s and the face of "Swinging London," as well as for popularizing the miniskirt. When fashion photographer David Bailey spotted a then-relatively unknown Shrimpton at a photo studio, he was instantly taken with the gamine beauty.
In the 1960s, Jean Shrimpton was a supermodel long before they coined the term “supermodel.”. She was English, part of the Swinging London scene. Shrimpton appeared in Vogue countless times and was paid the then-extravagant sum of $67 per hour. She was the muse of legendary London photog and John French protégé David Bailey, to whom she ...
10 de abr. de 2015 · Jean Shrimpton was still an unknown teenager when she met David Bailey on the set of a photo shoot, and in the four years they were together, “the Shrimp” became the highest-paid model of her time. Shrimpton later credited Bailey with shaping her career as she ushered in the pouty, coltish look of London’s swinging “youthquake.”
