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  1. Strauss, Richard. Enciclopedia on line. ... . 18 per violino e pianoforte, numerosi Lieder (tra i quali alcuni dei più celebri) e i poemi sinfonici Macbeth (1888) e Don Juan ... (Till Eulenspiegel). Il Bourgeois gentilhomme e soprattutto il suo ex intermezzo Ariadne sono le prime realizzazioni di questo nuovo orientamento, ...

  2. 6 de may. de 2021 · Introduction. Till Eulenspiegel is the name of a young boy in a fairy tale written in 1511. We don’t know if he really existed, but in the legend, he was born in a small German village and became a known trickster: someone who played practical jokes on the people in his village. The adults in the village did not like his jokes and when things ...

  3. Richard Strauss: Also sprach Zarathustra; Till Eulenspiegel; Don Juan. 又名: 理查德·施特劳斯:查拉图斯特拉如是说、蒂尔的恶作剧、唐璜. 表演者: Richard Strauss / Herbert von Karajan / Berliner Philharmoniker / Michel Schwalbe. 流派: 古典. 专辑类型: 专辑. 介质: CD. 发行时间: 1996-04-09. 出版者 ...

  4. Richard STRAUSS (1864-1949) Don Juan, ... Op. 24 (1888/89) [26:18] Till Eulenspiegel’s Merry Pranks, Op. 28 (1895) [14:35] Pittsburgh Symphony Orchestra/Manfred Honeck rec. 8-10 June 2012, Heinz Hall, Pittsburgh, USA ... the orchestral suite Le bourgeois gentilhomme and the Symphonia Domestica. Here ...

  5. Old impulses prove impossible to extinguish. And the instincts of the musically literate must be to explain a composer’s extra-musical programme in terms of music, which in the case of Richard Strauss’s 1896 tone-poem Also sprach Zarathustra leaves us listening through two-way harmonic glass: the white-note harmony of C reflected against the distant borderland five sharps of B major.

  6. Richard Strauss, född 11 juni 1864 i ... Till Eulenspiegel, Don Juan, Macbeth, ... Ariadne på Naxos (Ariadne auf Naxos) (opus 60), libretto av Hugo von Hofmannsthal efter Molières Le Bourgeois Gentilhomme (1911–1912) Die Frau ohne Schatten (opus 65, libretto av Hugo von Hofmannsthal ...

  7. 18 de abr. de 2019 · Till Eulenspiegel’s Merry Pranks, Op. 28 Richard Strauss (1864 – 1949) It is no surprise that Richard Strauss’s tone poem Till Eulenspiegel has become such an audience favorite. It is one of those magical pieces of music in which everything—form, content, technique, and color—seems to mesh perfectly.

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