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Enrica Antonioni attends the DPA Venice 2007 Gift Lounge during the 64th Venice Film Festival on September 6, 2007 in Venice, Italy. DPA Venice 2007 Gift Lounge. Michelangelo Antonioni and wife Enrica Fico pose at the Hotel De Bains on September 5, 2002 in Venice, Italy.
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Browse the Archive. The Michelangelo Antonioni Archive contains materials relating to the intellectual, aesthetic and emotional world of the director and make it possible to explore his cinema and, more generally, all his broader professional activities, including his critical, literary and artistic work.
Following the acquisiton from Michelangelo and Enrica Antonioni of the director's personal archive, the municipal administration worked to establish a monographic museum devoted to the filmmaker. Inaugurated in 1995 in the spaces adjoining Palazzo dei Diamanti, in Corso Ercole I d'Este 17, the museum presented a selection of his paintings and posters from his films, personally curated by ...
Michelangelo Antonioni ( Ferrara, Emilia-Romaña, 29 de septiembre de 1912- Roma, Lacio, 30 de julio de 2007) fue un destacado cineasta italiano. Por la calidad de sus guiones, reelaborados tras cada filmación, y por otros escritos, 1 se le considera un agudo escritor de la segunda mitad del siglo XX. 2 En los últimos años se dedicó a la ...
18 de mar. de 2016 · She co-wrote Antonioni’s last documentary Michelangelo Eye to Eye (2004) and worked as executive consultant on both Al di là delle nuvole (Beyond the Clouds, 1995) and The Dangerous Thread of Things (2004). Finally, in 2006, Enrica curated Antonioni’s solo painting show at the Hadrian Temple, entitled Silence in Colour.
Michelangelo Antonioni (Ferrara, Itàlia, 29 de setembre de 1912 - 30 de juliol de 2007) fou un dels més cèlebres realitzadors de la història del cinema.. Realitzà una catorzena de llargmetratges, des de Cronaca di un amore, de 1950, fins Identificazione di una donna, del 1982.Encara que després va participart en algun altre projecte, i que, segons més d'un crític, va «llogar» el seu ...
