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McGerr is a regular flyfishing pal and my neighbor. For the past 20 years we’ve pounded out separate livelihoods in Seattle’s urban hustle and growth, but tonight we’re headed back to mountainside homes nestled in a north-facing forest on the outskirts of nearby Bellingham. From our doorsteps, we can look out over the crooked horizon of ...
Jason McGerr. Jason McGerr has been a member of Death Cab for Cutie Since 2002. Hes also recorded albums with Tegan & Sara, Matt Nathanson, Chance the Rapper, Fences and many others. While not touring or recording, he's a studio owner, engineer and a long time educator. In 1996 He became a staff member at The Seattle Drum School in Seattle and ...
Jason McGerr. Gretsch Artist Since: 2017. Country: US. Band or Affiliations: Death Cab For Cutie. Current Kit Setup: Touring Set up: Broadkaster in Twilight Glass Nitron 9x13” Rack Tom, 16x16” Floor Tom, 14x22” Bass Drum, 6.5x14” Bell Brass Snare Drum Studio Set up: USA Custom in Satin Ice Blue Metallic 9x13” Rack Tom, 16x16” Floor ...
27 de feb. de 2016 · From left: Nick Harmer, Ben Gibbard, Jason McGerr. On more than one occasion, Death Cab For Cutie has come within touching distance of a Grammy award, only to lose out to another band.
Death Cab for Cutie's own Jason McGerr gives a rig rundown of his live show setup. Tour Dates: https://deathcabforcutie.com/#tour Filmed by Twixx WilliamsLis...
19 de ago. de 2022 · Very VERY special episode of the Drumeo Podcast as Jared and Dave are joined by Mark Guiliana (David Bowie, Mark Guiliana Quartet, Beat Music) and Jason McGerr (Death Cab For Cutie). Kick back and relax as they discuss gear, life, family, and education. Jared will also be giving out Dave Atkinson's phone number so any drummer can receive 24/7 drumming advice.
16 de sept. de 2022 · Drummer Jason McGerr, who's been with Death Cab for Cutie since their watershed 2003 album Transatlanticism, says his experience recording Asphalt Meadows w as diametrically opposed to that of its predecessor LP. "The Thank You For Today sessions were a lot more microscopic," he tells GRAMMY.com from a parallel Zoom window. "People could probably find stories about me being somewhat isolated ...
