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  1. Richard Strauss Conducts Richard Strauss by Richard Strauss released in 1991. Find album reviews, track lists, credits, awards and more at AllMusic.

  2. 25 de oct. de 2016 · Listen to Richard Strauss Conducts by Richard Strauss on Apple Music. Stream songs including "Der fliegende Holländer, WWV 63", "Also sprach Zarathustra, Op. 30" and more. Album · 2016 · 8 Songs

  3. His tastes were conservative, founded on mainstream Austro-German classical and Romantic repertoire, and Richard Strauss was a favourite composer. The Philharmonia’s first encounter with Strauss’s music was in an August 1946 recording of Don Juan , conducted by the Italian Alceo Galliera, who Legge used for his abilities as an orchestral trainer rather than for any great interpretative flair.

  4. 7 de abr. de 2014 · Richard Strauss Conducts (1999) Beethoven: Symphonies Nos. 5 & 7 (2000) Strauss Conducts An Alpine Symphony (2001) Strauss Conducts Ein Heldenleben (2003) Richard Strauss conducts Don Quixote (2004) Strauss conducts Der Rosenkavalier (2008) Richard Strauss: The Last Concerts (2009) Richard Strauss: Composer, Conductor, Pianist and Piano… (2010)

  5. Richard Georg Strauss (Múnich; 11 de junio de 1864 - Garmisch-Partenkirchen; 8 de septiembre de 1949) fue un destacado compositor y director de orquesta alemán cuya larga trayectoria abarca desde el romanticismo tardío hasta la primera mitad del siglo XX.Es conocido particularmente por sus óperas, poemas sinfónicos y Lieder.Strauss, junto con Gustav Mahler, representa el extraordinario ...

  6. Strauss conducts Strauss/APR. The general consensus during Richard Strauss’ conducting heyday was that he was a more effective and inspired podium figure in front of an audience than when facing a studio microphone. A newly discovered “live” Don Quixote from a 1936 London concert seems to bear this out. Through a barrage of surface ...

  7. Richard Strauss conducts Till Eulenspiegels lustige Streiche (VPO 1944) With this of Gustavo Dudamel conducting the Berlin Philharmonic where there’s a lot more action and interaction from the podium. I don’t find the same clarity in the work as in the Strauss-conducted performance.