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  1. 6 de feb. de 2017 · The film was directed by Penelope Spheeris, who knew Wayne’s World producer (and Saturday Night Live creator) Lorne Michaels from the 70s, when she produced S.N.L. shorts for Albert Brooks.

  2. Lowest Rated: 6% Senseless (1998) Birthday: Dec 2, 1945. Birthplace: New Orleans, Louisiana, USA. As a notable filmmaker during the 1980s independent movement, director Penelope Spheeris found ...

  3. Penelope Spheeris (* 2. Dezember 1945 in New Orleans, Louisiana) ist eine US-amerikanische Filmregisseurin, Filmproduzentin und Drehbuchautorin. Sie wurde in den USA als Dokumentarfilmregisseurin mit der Trilogie The Decline of Western Civilization bekannt.

  4. Penelope Spheeris es una directora de cine, productora y guionista estadounidense. Es popular por haber dirigido la trilogía de documentales llamada The Decline of Western Civilization y por la película Wayne's World, su producción más exitosa en cuanto a cifras.

  5. But Penelope Spheeris considers that movie a curse. It made her a successful comedy director, which she didn’t want to be. She was stuck in the ‘muck and mire of Hollywood’ for years, before going back to her roots with THE DECLINE OF WESTERN CIVILIZATION: PART III, the most recent in a series that she started in 1979, when she documented ...

  6. 30 de ene. de 2019 · For many film buffs, filmmaker Penelope Spheeris will always either be The Punk Lady or the “Wayne’s World” Woman. Honestly: she’s both, and so much more. Spheeris—who wore several hats while working on short films written by and starring Albert Brooks and Richard Pryor—has more than earned her reputation as a big-hearted, but un-sentimental “rock ‘n roll anthropologist.”

  7. Photo courtesy of Penelope Spheeris. On a Saturday morning in Los Angeles I found myself on the corner of Lookout and Wonderland. As cars zoomed by giving me the “what are you doing here” side-eye and adult men walking tiny dogs surrounded me with their faux-friendly, suspicious waves, I felt superficially like one of the gutter punks—out of place, but unapologetically present—in the ...

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