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11 de jul. de 2010 · Nadar (1820–1910) Alternative names. legal name : Gaspard-Félix Tournachon pseudonym : Nadar. Description. French photographer, caricaturist, writer and balloonist. Date of birth/death. 6 April 1820. 20 March 1910. Location of birth/death.
Person in Photograph: Jean-Charles Deburau (French, 1829–1873) Date: 1855. Medium: Gelatin-coated salted paper print (vernis-cuir) Dimensions: 27.3 x 19.8 cm (10 3/4 x 7 13/16 in.) Classification: Photographs. Credit Line: Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1998. Accession Number: 1998.57
Charles Deburau is a creature. Charles Deburau is a creature in the No Man's Sky universe. It is a member of the Tetraceris genus. It can be found on the planet Pierrot in the Clown system. Jean-Charles Deburau (1829–1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was immortalized as Baptiste the Pierrot in Marcel Carné's film Children of ...
Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Charles Deburau, Pierrot listening’ was created in 1855 by Felix Nadar in Pictorialism style. Find more prominent pieces of photo at Wikiart.org – best visual art database.
Jean-Gaspard Deburau (born Jan Kašpar Dvořák; [1] 31 July 1796 – 17 June 1846), sometimes erroneously called Debureau, was a Bohemian-French mime. He performed from 1816 to the year of his death at the Théâtre des Funambules, which was immortalized in Marcel Carné 's poetic-realist film Children of Paradise (1945); Deburau appears in ...
Title: Pierrot the photographer. Creator Lifespan: 1820 - 1910. Creator Nationality: French. Creator Gender: Male. Date Created: 1854. Provenance: Gift of Mr and Mrs André Jammes, 1991. Physical Dimensions: w210 x h280 mm. Photographer: Félix Nadar. Original Title: Pierrot photographe dit aussi Le Mime Deburau avec un appareil photographique.
26 de oct. de 2015 · Instead, the critics consistently present Charles not as a child of the Funambules, but rather as the son of his father: ‘the son of Deburau’. 49 By replacing the Funambules with ‘Deburau’, these commentators replace social context with biological filiation, obviating the need to indicate the theatre, or the audience, responsible for the character's fame.
