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MATTHEW WHITTET is an actor and writer who has worked extensively in theatre, film and television for the past 15 years. Whittet’s first play Twelve was workshopped at the National Playwrights Conference in Perth, 2006. His second was Silver, directed by Ben Winspear for Belvoir downstairs in which he also performed solo.In 2010 two further plays premiered in Adelaide; Fugitive and Harbinger ...
Matthew Whittet is an actor and writer who has worked extensively in theatre, film and television for the past 15 years. Matt’s first play Twelve was workshopped at the National Playwrights Conference in Perth, 2006. His second was Silver, directed by Ben Winspear for Belvoir’s Downstairs Theatre in which he also performed solo. In 2010 two further plays premiered in Adelaide; Fugitive ...
28 de abr. de 2017 · 28 abril, 2017. La Chica Dormida es una adaptación de una obra de teatro escrita por Matthew Whittet, y que forma parte de una trilogía de historias sobre la adolescencia, junto a Fugitive (2010) y School Dance (2012). Todas ellas creadas y escenificadas en el Teatro Widmill de Adelaida (Australia) donde Rosemary Myers era directora artística.
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Matthew Whittet's beautiful new play Seventeen is a finely observant, optimistic work about the strains of youth, about transformation and, ultimately, letting go. (1 act, 3 male, 3 female). Other editions - View all. Seventeen Matthew Whittet No preview available - 2017. Seventeen
Matthew Whittet. Matthew is an actor and writer who has worked extensively in theatre, film and television for the past twenty years. Matt’s first play Twelve was workshopped at the National Playwrights Conference in Perth, 2006. His second was Silver, directed by Ben Winspear for Belvoir downstairs in which he also performed solo.
Matthew Whittet’s We Are The Mutable externalises the internal worlds of four teenagers through the magical phenomenon of waking up changed, transformed or mutated. It questions how we deal with change and being vulnerable, what happens when you are faced with your fears, and how we find empathy. Originally written for Queensland Theatre’s ...
