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In an effort to make a “name” for herself, Lani left the Brasil ’66 entourage to attempt a solo career under the wing of her future husband, Herb Alpert. In 1970, after leaving the Mendes STILLNESS sessions, Lani was called upon to record a vocal track for the Alpert-produced Michel Colombier album WINGS. This track, “We Could Be Flying ...
26 de abr. de 2022 · A cantora Lani Hall é uma ilustre desconhecida no Brasil, embora tenha sido a intérprete de um das canções da MPB mais bem sucedida no exterior, Mas que Nada, de Jorge Ben (a anos de adotar o “Jor”) Ela cantou durante seis anos no grupo de Sergio Mendes, o Brazil 66, um imenso sucesso no planeta em 1966, que escalou o topo das paradas mundo afora, o que se estendeu até os anos 70.
This is for all you Lani Hall fans. Taken from the PBS documentary "Sergio Mendes in the Key of Joy” https://youtu.be/9FYhvosjBOQ?si=xZYEy2vRNS06-HUhBrasil'...
Lani Hall nació el 6 de Noviembre de 1945 en Chicago, Illinois. Es una cantante norteamericana. Ha incursionado en la música con un éxito moderado, sin embargo tuvo una excelente repercusión en países de habla hispana con un disco coproducido por el cantante español Camilo Sesto, llamado Lani Hall (1984).
Lani Hall is an American singer, lyricist, and author. From 1966 to 1971 she performed as lead vocalist for Sérgio Mendes & Brasil '66. In 1972, Hall released her first solo album, Sun Down Lady. She may be best known, however, for providing the most recognizable face and vocal signature sound to Sérgio's group during her tenure there, and for her rendition of the theme song to the 1983 ...
Lani Hall, née le 6 novembre 1945, est une chanteuse, parolière et auteur américaine, épouse de Herb Alpert. Elle est principalement connue pour avoir été la chanteuse principale du groupe Sérgio Mendes & Brasil '66 de 1966 à 1971, ainsi que pour son interprétation de la chanson thème du film de James Bond de 1983, Never Say Never Again [ 1 ] .
Herb Alpert and Lani hall do not rest on their laurels. At 81 and 71, they are still going strong and sound as fresh as ever. As a child in Mexico City in the 1960’s, I remember my older siblings listening to Herb Alpert and the Tijuana’s Brass’s album, “The Lonely Bull”. I loved his distinctive trumpet and signature sound.
