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10 de mar. de 1972 · Pauline Kael’s 1972 review of Francis Ford Coppola’s classic mob movie, based on the Mario Puzo book and starring Marlon Brando, Al Pacino, James Caan, Diane Keaton, and Robert Duvall.
Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film critic.
6 de jul. de 1975 · Pauline Kael’s 1975 Profile of Cary Grant, ... Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. Weekly. Enjoy our flagship newsletter as a digest delivered once a week.
13 de mar. de 1994 · From 1994: Writing for The New Yorker from 1967 to 1991, Pauline Kael changed the way people talk about movies. But it wasn’t always easy.
17 de oct. de 2011 · Pauline Kael was that kind of critic, and, in her first years on the job at The New Yorker, she reviewed many of these movies with gusto. She’d scarcely started, though, when something cooled ...
16 de jun. de 2019 · June 16, 2019. Photograph from Everett / Shutterstock. Next week marks the hundredth anniversary of the birth of the film critic Pauline Kael. Her arrival at The New Yorker, in the late nineteen ...
25 de may. de 2012 · May 25, 2012. “Star Wars” is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference, yet it’s a ...
