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Abdul-Malik was most active as a jazz musician from the mid-1950s to the mid-1960s. He recorded half a dozen albums as leader, which have been described as containing a "refreshing" fusion of jazz with Arabic and African music. [3]
23 de mar. de 2022 · Daniel Spicer casts an eye over the career of pioneering jazz bassist and oud player Ahmed Abdul-Malik and suggests ten tracks that confirm his status as a crucial, if undersung, cross-cultural innovator
10 de dic. de 2022 · Bassist Ahmed Abdul-Malik was one of the first musicians to introduce Arabic music into jazz and the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute as a jazz instrument. He was born on January 30th 1927 to Sudanese parents in Brooklyn and grew up in the borough’s Arab neighborhood.
25 de ago. de 2003 · A top sideman with Monk and Herbie Mann, bassist Ahmed Abdul-Malik must have realized that if he remained parochial it would result in complacency. Early in his career, he chose to explore his Sudanese roots and an association with pianist Randy Weston, known for his own Afro-Jazz blending, perhaps nourished this inclination.
21 de abr. de 2003 · Ahmed Abdul-Malik was a resourceful and versatile bassist capable of fitting in with the groups of Thelonious Monk, Herbie Mann, and others. On his few recordings as a leader, he dove head first into his fascination with African music, documented on the two early '60s sessions collected here on Jazz Sounds of Africa.
Ahmed Abdul Malik (1927–1993) made a major contribution to jazz and can be thought of as one of the originators of world music. Jazz Sahara, his remarkable debut album, was recorded in 1958, predating Kind of Blue by Miles Davis [1959] and John Coltrane’s first modal recording My Favourite Things [1961].
The writer and broadcaster Edward George explores the multiple resonances, versions and iterations of the jazz ensemble [Ahmed] and the inspiration behind them, Ahmed Abdul-Malik.
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