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Marianna Ritchey is Associate Professor of Music History at the University of Massachusetts, Amherst. She spent much of her young adulthood in Portland, Oregon, playing and touring in various indie rock bands, before going to UCLA for a PhD in Musicology. She has written about Berlioz, comedy, the dies irae , the films of Guy Maddin, music ...
Marianna Ritchey, associate professor of music history in the Department of Music & Dance, discovered a deep interest in music as an undergraduate at Lewis and Clark College in Portland, Oregon. Ritchey currently focuses her research on young American composers in the contemporary capitalist landscape.
Pour la musicologue et historienne Marianna Ritchey, le néolibéralisme façonne la musique classique aux États-Unis. Dans une approche critique, l’autrice examine les pratiques artistiques de compositeurs et interprètes de musique contemporaine depuis les années 2000.
28 de abr. de 2021 · Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era (Chicago and London: University of Chicago Press, 2019), ISBN: 978-0-226-64006-8 (cloth), ISBN: 978-0-226-64023-5 (pb) | Twentieth-Century Music | Cambridge Core. Home.
11 de nov. de 2020 · By Marianna Ritchey. Composing Capital: Classical Music in the Neoliberal Era. By. Marianna. Ritchey. Pp. v. + 213. University of Chicago Press. , Chicago and London. , 2019. , $30. ISBN 978-0-226- 64023-5.) Benjamin Wolf. Music and Letters, Volume 101, Issue 2, May 2020, Pages 386–388, https://doi.org/10.1093/ml/gcaa025. Published:
27 de jul. de 2020 · Marianna. Ritchey. . Chicago. : University of Chicago Press. , 2019. , 224. pages. Bryan Parkhurst. Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 326–333, https://doi.org/10.1093/mts/mtaa012. Published: 27 July 2020.
5 de ago. de 2019 · In Composing Capital, Marianna Ritchey lays bare the appropriation of classical music by the current neoliberal regime, arguing that artists, critics, and institutions have aligned...
