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In 2005, after changing his stage name to L. Pierre, Moffat released the album called Touchpool, followed by Dip in 2007. In 2013 he released first The Island Come True , then in July another full album, The Eternalist , which was made available for free online and recorded using Vine .
En 2002, tras ser retado por Malcolm Middleton a grabar un disco en solitario, Moffat publicó Hypnogogia bajo el nombre de Lucky Pierre. [10] En 2005, tras cambiar el nombre a L. Pierre, Moffat publicó Touchpool. [11] En 2007 lanzó Dip. [12] A principios de 2013 Moffat lanzó un nuevo álbum de L. Pierre, The Island Come True. [13]
16 de feb. de 2005 · Electronic. Label: Melodic. Reviewed: February 16, 2005. Second album of evocative instrumentals from Arab Strap's Aidan Moffat. For a guy whose career has seemed to be an extended chronicle of...
29 de mar. de 2005 · As one half of Arab Strap, Aidan Moffat has spent nearly an entire decade exploring a seemingly inexorable downcast that starkly contrasts the buoyancy of his second full-length as L. Pierre. Although still an entirely instrumental affair, Touchpool features a collection of live players who greatly transform the minimal spine of drum ...
Touchpool is the second stunning album from L Pierre aka Aidan Moffat, one half of Arab Strap. L Pierre’s debut album Hypnogogia released in September 2002 was greeted with all round critical acclaim from the dance fraternity (Gilles Peterson and Nick Warren in particular) as well as the rock monthlies and broadsheet p
Former Arab Strap member Aidan Moffet resumes his Lucky Pierre guise for TOUCHPOOL, helping the Melodic label live up to its name. “Crush” smothers the atmosphere in melancholy strings and static crackle, melding the modern and classical in what will be a recurring theme on the album.
L Pierre: Touchpool Melodic. Following upon 2002's Hypnogogia, Touchpool is the second L Pierre release from Arab Strap member Aidan Moffat. The new album retains the simple but effective formula of the debut—grandiose, string-heavy orchestra samples underlaid by drum machine beats—yet subtly fleshes out its sound with contributions from live musicians (like Malcolm Middleton, Moffat's ...
