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Gurtu joined Oregon after the death of drummer Collin Walcott. He played on three of their records: Ecotopia (1987), 45th Parallel (1989), and Always, Never and Forever (1991). In the early 1990s, Gurtu resumed his career as a solo artist and a bandleader. Various noted musicians have backed him on a number of his CD releases.
1989: 45th Parallel - with Oregon; 1990: Living Magic; 1991: Always, Never and Forever - with Oregon; 1993: Crazy Saints; 1995: Believe; 1995: Bad Habits Die Hard; 1997: The Glimpse; 1998: Kathak; 2000: African Fantasy; 2001: The Beat of Love; 2002: Remembrance; 2004: Miles Gurtu - with Robert Miles; 2004: Broken Rhythms; 2006 ...
Oregon - 45th Parallel. Despues de la muerte de Collin Walcott el grupo se volvió a reunir en 1985 para hacer un concierto en memoria de su amigo en Nueva York donde el percusionista Trilok Gurtu actuó junto al grupo para rendir homenaje a ese gran músico que fue Walcott. Trilok, quien estudió tablas y percusión aceptó la invitación del ...
- Trilok Gurtu / tabla, drums, percussion, voice With: - Nancy King / vocals (6) Releases information. Artwork: Robert Coto CD Portrait - RK 44465 (1989, US) ... OREGON 45th Parallel ratings distribution. 4.05 (21 ratings) Essential: a masterpiece of progressive rock music(38%)
In 1986, Gurtu was invited to join Oregon; the band resumed touring and released three albums, Ecotopia, 45th Parallel and Always, Never and Forever, [2] during his five years as a member. [1] After Trilok Gurtu's departure, the group continued as a trio, issuing two albums during that period.
17 de ago. de 2018 · 45th Parallel, with Oregon (1989) Live at the Royal Festival Hall, with the John McLaughlin Trio (1990) Living Magic (1990)
30 de abr. de 2021 · A new record label for Oregon, and overall, a slightly tougher feeling to the music than previously. As well as being a sensitive percussionist, Gurtu is a drummer with a strong feeling for swing, and some of this music – – such as King Font and Dreams – motors along in a very perky, bluesy jazz manner.
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