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Down Beat critic John Ephland commented that "there is indeed a sense of adventure, of taking chances with so much talent, and with such skeletal designs", adding that " Big Fun reinforces the notion that Miles' primary contributions to music have come via orchestrating, organizing, enabling.
John McLaughlin (Doncaster, 4 de enero de 1942), también conocido como Mahavishnu John McLaughlin, es un guitarrista, director de orquesta y compositor inglés. Pionero del jazz fusión , su música combina elementos del jazz con el rock , la música del mundo , la música clásica de india , la música clásica , el flamenco y el blues .
1 de jun. de 2001 · McLaughlin begins with funky wah lines behind young Steve Grossman’s razor-edged soprano and the leader’s scattered trumpet ideas. About six minutes in, McLaughlin takes over furiously. Thanks to the then-new wonders of noise gate technology, Jack DeJohnette’s drums and cymbals flit back and forth rapidly from left to right in the mix.
He played on Miles Davis' albums In a Silent Way, Bitches Brew (which has a track titled after him), Live-Evil, On the Corner, Big Fun (where he is featured soloist on "Go Ahead John") and A Tribute to Jack Johnson. In the liner notes to Jack Johnson, Davis called McLaughlin's playing "far in".
Major figure in the development of electric guitar in the history of modern jazz, credited for developing a bridge between rock guitar and jazz, and founder of various jazz fusion groups of note, including Mahavishnu Orchestra and Shakti; recorded and performed with Miles in 1969 and 1970. Standout Track. Playlist. Pop-up Player. John McLaughlin.
'Big Fun' features a stellar cast of musicians, with Herbie Hancock, Billy Cobham, Chick Corea, John McLaughlin, Josef Zawinul, Dave Holland, Bernie Maupin, Steve Grossman and Larry Young just a few of the names that helped Davis shape and craft this beautifully-constructed jazz-rock odyssey, and, the level of musicianship is, at times, mind ...
“Go Ahead John” is a lengthy, hard-driving jam from the Jack Johnson sessions; John McLaughlin’s brash guitar up front and center. “Ife,” from the summer of 1972 and named for the daughter of percussionist Mtume, is an Afro-futurist mini-suite, flows with a rich, suite-like narrative of rhythm and space.
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