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  1. Victoria’s are the most well-known, but equally beautiful and arguably more dramatic are the settings composed by Gesualdo and Couperin. The Gesualdo is intense with the Couperin atmospheric, yet both compliment each other perfectly on another world-class recording from Tenebrae.

  2. 1 de mar. de 2013 · Gesualdo Tenebrae Responsories / Victoria Lamentations for Holy Saturday 2013 marked Gesualdo’s 400th anniversary. With this, its debut recording for Deutsche Grammophon, Tenebrae takes the opportunity to celebrate this visionary composer and his contemporary, Victoria.

  3. 1 de ene. de 2023 · Title: Tenebrae factae sunt Composer: Tomás Luis de Victoria. Number of voices: 4vv Voicing: TTBB, and, in transposition, SSAT, SATB Genre: Sacred, Tenebrae responsory. Language: Latin Instruments: A cappella . First published: 1585 in Tenebrae Responsories (Tomás Luis de Victoria), no. 8

  4. Some of the most famous settings of the text are by Tomás Luis de Victoria (two settings for four voices: 1572 and 1585), Carlo Gesualdo (five voices: 1603; six voices: 1611), Marc-Antoine Charpentier, Second répons après la 1ère leçon du second nocturne du Vendredi saint, H.134, for 1 voice, flutes and continuo (1690) and Pablo ...

  5. 10 de mar. de 2013 · Tenebrae's faultless control and balance bring the sacred texts to life, including some wild modulations and sudden side-slips.

  6. Tenebræ factæ sunt. Et inclinato capite emisit spiritum. Exclamans Jesus voce magna ait à 3 (SST) First Publication. 1585 in Officium Hebdomadæ Sanctæ (No.20) Genre Categories. Responsories; Religious works; For 4 voices; For unaccompanied voices; Scores featuring the voice; Latin language.

  7. 4 de mar. de 2013 · Tenebrae's faultless control and balance bring the sacred texts to life [in the Gesualdo], including some wild modulations and sudden side-slips...[in the Victoria] the 16 singers of Tenebrae under Nigel Short's direction shine in the darkness.