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  1. Hunter and ex-Spiders From Mars guitarist Mick Ronson produced the album. Ronson suggested the two Philip Rambow songs and the piano backing for the final track "Don't Let Go", written by Hunter.

  2. en.wikipedia.org › wiki › Mick_RonsonMick Ronson - Wikipedia

    Ronson played guitar on two tracks on the Slaughter & The Dogs album Do It Dog Style in 1978. In 1979, Ronson and Hunter produced and played on the Ellen Foley debut album, Night Out, with "We Belong to the Night" and the hit single "What's a Matter Baby". [citation needed]

  3. Michael Ronson, más conocido como Mick Ronson o Ronno (Hull, Yorkshire; 26 de mayo de 1946-Londres, 29 de abril de 1993), fue un guitarrista, compositor, arreglista y cantante británico, conocido mundialmente por haber integrado la mítica banda que acompañó a David Bowie en su era glam rock, The Spiders From Mars, y por colaborar con el ...

  4. 25 de abr. de 2017 · After the rise comes the fall. On October 20,1973, Mick Ronson played with David Bowie on stage for the last time in that decade. Only 200 people saw the appearance in the flesh, shot for NBC’s The Midnight Special. Dubbed The 1980 Floor Show, it was a strange day.

  5. 3 de ago. de 2020 · Nightout was produced and arranged by Ian Hunter and Mick Ronson who were both back in the limelight via Hunter’s ‘Your Never Alone With A Schizophrenic’. Their work here is just genius, using most of Ian Hunter’s band and tipping their hat to Phil Spector the result is an album full to the brim with teenage angst, attitude and passion.

  6. 17 de may. de 2022 · Mick Ronson: the Rise and Fall of Glam-Rock’s Greatest Guitarist. By Max Bell. published 17 May 2022. In 1970, he changed the career of David Bowie and went on to work with Lou Reed, Bob Dylan, John Mellencamp, Morrissey and more. (Image credit: Jack Kay/Daily Express/Getty Images)

  7. 27 de may. de 2021 · TMWSTW was an album of nightmarish heavy rock that nodded to Led Zeppelin and Black Sabbath. Ronson enlisted a mate from Hull, Mick ‘Woody’ Woodmansey on drums. “We were like anti-folk music,” says Woody. “We liked Zeppelin and Hendrix and Beck and all that, and hated anything that stunk of Bob Dylan.

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