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Stravinsky, Igor; Early 20th century style; Early 20th century; For wind ensemble; For orchestra without strings; Scores featuring wind ensemble; Pieces; For piano (arr) For 1 player (arr) Scores featuring the piano (arr) Pages with arrangements; Works first published in 1920; Works first published in the 20th century; Debussy, Claude/Dedicatee
Ígor Stravinski. Apariencia. ocultar. Stravinski en 1962. Ígor Fiódorovich Stravinski (en ruso: Игорь Фёдорович Стравинский; Oranienbaum, 17 de junio de 1882- Nueva York, 6 de abril de 1971) fue un compositor y director de orquesta ruso y uno de los músicos más importantes y trascendentales del siglo XX .
Igor Fyodorovich Stravinsky [a] (17 June [ O.S. 5 June] 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and United States citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music .
27 de abr. de 2021 · Ígor Stravinsky: Etapas estilísticas y últimos años. El siglo XX es considerado en la música como un período de cambios, donde la ruptura de la tonalidad sienta las bases de nuevos estilos musicales. De esta manera, quedaría atrás cualquier influencia de la música barroca y las anteriores. En pleno fenómeno, aparecieron ...
6 de dic. de 2013 · The defining feature of Symphonies of Wind Instruments is Stravinsky’s use of the various instruments to create distinct symphonies of sound. These groups often contrast and rarely overlap. Tempo is another important factor in the piece.
1962: Mejor rendimiento clásico – OrquestaEl Firebird, Igor Stravinsky dirigiendo Columbia Symphony Orchestra) 1962: Mejor actuación clásica – Soloista Instrumental (con orquesta) (Violin Concerto en D, Isaac Stern; Igor Stravinsky dirigiendo Columbia Symphony Orchestra) 1987: Logros de la vida (poshumos) Órdenes
14 de may. de 2024 · Igor Stravinsky, Russian-born composer whose work had a revolutionary impact on musical thought and sensibility just before and after World War I, and whose compositions remained a touchstone of modernism for much of his long working life.
