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  1. pitchfork.com › reviews › albumsWeyes Blood: The Innocents Album Review | Pitchfork

    28 de oct. de 2014 · All those experiencess come to play on her second album, The Innocents. Natalie Mering, the brains behind the indie-folk outfit Weyes Blood, has seen a great deal of the country in the past...

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  3. www.discogs.com › master › 759666-Weyes-Blood-The-InnocentsWeyes Blood - The Innocents | Releases | Discogs

    Explore the tracklist, credits, statistics, and more for The Innocents by Weyes Blood. Compare versions and buy on Discogs.

  4. en.wikipedia.org › wiki › The_Innocents_(Weyes_Blood_album)The Innocents (Weyes Blood album) - Wikipedia

    The Innocents is the second studio album by American musician Weyes Blood. The album was released on October 21, 2014, by Mexican Summer. Track listing

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    • Weyes Blood Promotional and Press on Sub Pop Records
    • Stream Weyes Blood The Innocents - Stereogum
    • The Innocents by Weyes Blood (Album, Progressive Folk): Reviews ...
    • The Innocents: Weyes Blood, Weyes Blood: Amazon.fr: CD et Vinyles}
    • The Innocents by Weyes Blood (Album; Mexican Summer): Reviews, Ratings ...

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  6. www.albumoftheyear.org › album › 22030-weyes-blood-the-innocentsWeyes Blood - The Innocents - Reviews - Album of The Year

    20 de oct. de 2014 · Music Reviews: The Innocents by Weyes Blood released in 2014. Genre: Psychedelic Folk.

  7. genius.com › albums › Weyes-bloodWeyes Blood - The Innocents Lyrics and Tracklist | Genius

    21 de oct. de 2014 · The Innocents is a rare melodic and vocal masterpiece, navigating the depths of heartbreak through to the empowering resolve of the human spirit.

  8. open.spotify.com › album › 7s56HmaWbsRxiw1yfy8PsqThe Innocents - Album by Weyes Blood | Spotify

    Listen to The Innocents on Spotify. Weyes Blood · Album · 2014 · 10 songs.

  9. www.audiofemme.com › album-review-weyes-blood-the-innocentsALBUM REVIEW: Weyes Blood “The Innocents” - Audiofemme

    21 de ago. de 2014 · Less funereal but more complicated, Weyes Blood substitutes her first album’s foundation of abject misery for one of classical–even courtly–dignity. Harmonizing against herself, Mering’s vocals take on an entirely new, much richer quality on The Innocents, almost like putting on 3D glasses.