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Eudoxia Ingerina (en griego: Ευδοκία Ιγγερίνα - Eudokia), también llamada Eudócia, fue una Emperatriz consorte del Imperio bizantino, esposa del emperador bizantino Basilio I, amante de su antecesor, Miguel III, y la madre de los posteriores emperadores León VI el Sabio y Alejandro III, además del patriarca de Constantinopla ...
Eudokia (or Eudocia) Ingerina (Greek: Ευδοκία Ιγγερίνα; c. 840 – c. 882) was a Byzantine empress as the wife of the Byzantine emperor Basil I, the mistress of his predecessor Michael III, and the mother of emperors Leo VI and Alexander, as well as the mother of Patriarch Stephen I of Constantinople.
1 de jul. de 2010 · Eudokia Ingerina or Eudocia Ingerina (Greek: Ευδοκία Ιγγερίνα) (c. 840–882) was the wife of the Byzantine emperor Basil I, the mistress of his predecessor Michael III, and the mother to both the Emperors Leo VI and Alexander and Patriarch Stephen I of Constantinople. Contents. * 1 Family. * 2 Life. * 3 Children.
Eudocia Ingerina (fl. 800s) Byzantine empress. Name variations: Eudokia Ingerina; Ingerina. Flourished in the late 800s; daughter of Inger; probably of Scandinavian descent; became second wife of Basil I the Macedonian, Byzantine emperor (r. 867–886), around 865; also mistress of Michael III the Drunkard, Byzantine emperor (r. 842–867 ...
3 de mar. de 2007 · Eudocia Ingerina, Wife of Basil I. Lynda Garland University of New England, Australia Shaun Tougher Cardiff University, UK. Eudocia Ingerina ('daughter of Inger'), arguably the central player in the establishment of the Macedonian dynasty, was the wife of Basil I (867-886), the first of this line.
They were the parents of at least 3 sons and 3 daughters. In 866, her occupation is listed as byzantine empress. She died in 0882, in İstanbul, Ottoman Empire, at the age of 44, and was buried in İstanbul, Ottoman Empire.
15 de oct. de 2021 · This chapter focuses on Eudokia Ingerina, the wife of the founder of the “Macedonian Dynasty” Basil I (867–886). While Basil has been the subject of much attention, Eudokia has tended to be side-lined. The chapter puts her centre stage, analysing how she is prominently presented in texts and images from the reigns of Basil and ...
