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  1. Slobodan Šijan [1] (Belgrado, 16 de noviembre de 1946) es un director de cine serbio. Tras licenciarse en dirección cinematográfica y dirigir un puñado de telefilmes a finales de la década de 1970, en 1980 alcanzó la notoriedad con Línea no regular , su primer largometraje.

  2. Slobodan Šijan ( Serbian Cyrillic: Слободан Шијан, pronounced [slɔbɔ̌dan ʃîjaːn]; born November 16, 1946) is a Serbian film director . Biography [ edit] Šijan was born in Belgrade, Yugoslavia. He graduated from the Fine Arts Academy in Belgrade, and then enrolled in Belgrade's Academy of Theater Faculty of Dramatic Arts in 1970. [1] .

  3. Slobodan Šijan (Beograd, 16. novembra 1946) srpski je slikar, filmski i TV reditelj, scenarista, filmski kritičar i dopisni član Srpske akademije nauka i umetnosti.

  4. IMDbPro Starmeter See rank. Slobodan Sijan was born on 16 November 1946 in Belgrade, Serbia, Yugoslavia. He is a director and writer, known for Who's Singin' Over There? (1980), Maratonci trce pocasni krug (1982) and Strangler vs. Strangler (1984). More at IMDbPro.

  5. Slobodan Šijan; Nom original (sr) Слободан Шијан: Biografia; Naixement: 16 novembre 1946 (77 anys) Belgrad (República Federal Socialista de Iugoslàvia) Dades personals; Formació: Universitat de Belgrad: Activitat; Camp de treball: Pel·lícula: Lloc de treball : Iugoslàvia: Ocupació: director de cinema, crític de ...

  6. Slobodan Šijan ) je srpski filmski i TV redatelj , scenarist , slikar i filmski kritičar, najpoznatiji kao autor niza crnih komedija početkom 1980.-ih, koje su u tadašnjoj Jugoslaviji stekle izuzetnu popularnost, a s vremenom i kultni status, od kojih su najpoznatije “ Maratonci trče počasni krug ” i “ Tko to tamo pjeva ”.

  7. 28 de nov. de 2018 · Slobodan Šijan. “Hollywood or Bust.” Film Leaflet No. 6.November 19, 1976. The Museum of Modern Art, New York. Slobodan Šijan’s single-page, double-sided fanzine Film Leaflet (Filmski letak), created and distributed monthly from 1976 to 1979, is an example of a paracinema form that transcends the habitual understanding of what constitutes a film.