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Michael Peter Hayes, más conocido como Mickie Most (20 de junio de 1938 - 30 de mayo de 2003) fue un productor musical británico que bajo su dirección produjo numerosos artistas como The Animals, Herman's Hermits, The Nashville Teens, Donovan, Lulu, Suzi Quatro, Hot Chocolate, The Arrows, Racey, y The Jeff Beck Group.
Michael Peter Hayes (20 June 1938 – 30 May 2003), known as Mickie Most, was an English record producer behind scores of hit singles for acts such as the Animals, Herman's Hermits, the Nashville Teens, Donovan, Lulu, Suzi Quatro, Hot Chocolate, Arrows, Racey and the Jeff Beck Group, often issued on his own RAK Records label.
Mickie Most (born June 20, 1938, Aldershot, Hampshire, England – died May 30, 2003, London, England) was a record producer, songwriter, arranger and singer. In 1969, he founded RAK Records. The label had a lot of success with many different artists during the 1970's and 1980's, and was eventually bought by EMI in the late 1980’s.
Learn about the life and career of Mickie Most, the man who produced more number one singles than any other producer in history. From his early days as a singer and guitarist in South Africa to his success with the Animals, Herman's Hermits, Donovan and more, read his interview and insights.
5 de jun. de 2003 · June 5, 2003. Mickie Most, a leading British pop record producer of the 1960's and 70's who recorded the Animals, Donovan, Herman's Hermits and others, died on Friday at his home in London. He...
De Wikipedia, la enciclopedia encyclopedia. Michael Peter Hayes, más conocido como Mickie Most (20 de junio de 1938 - 30 de mayo de 2003) fue un productor musical británico que bajo su dirección produjo numerosos artistas como The Animals, Herman's Hermits, The Nashville Teens, Donovan, Lulu, Suzi Quatro, Hot Chocolate, The Arrows, Racey, y ...
15 de ago. de 2019 · Las casi dos décadas de Mickie Most como creador de pop no serán olvidadas como lo demuestran estos temas, unos más conocidos y otros menos conocidos, pero sin desperdicio. Un hombre que empezó de cero, supo aceptar el éxito y se retiró a tiempo cuando vio que los sonidos venideros no iban a estar en su vertiente como productor.
