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Nam June Paik (20 de julio de 1932, Seúl, Sudogwon, Corea del Sur-29 de enero de 2006, Miami, Florida, Estados Unidos) fue un compositor y videoartista surcoreano de la segunda mitad del siglo XX. Estudió música e historia del arte en la universidad de Tokio.
Nam Joon Park (20 de julio de 1932, Seúl, Sudogwon, Corea del Sur-29 de enero de 2006, Miami, Florida, Estados Unidos) fue un compositor y videoartista surcoreano de la segunda mitad del siglo XX.
Official Website of Artist Nam June Paik | Father of Video Art.
Nam June Paik (Korean: 백남준; RR: Baek Nam-jun; July 20, 1932 – January 29, 2006) was a Korean artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Nam June Paik (Korean: 백남준; RR: Baek Nam-jun; July 20, 1932 – January 29, 2006) was a Korean artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Los mundos de Nam June Paik transforma el Museo Guggenheim Bilbao para ensalzar la imagen en movimiento y la influencia de Paik en el arte del siglo XX. Paik estudió composición musical primero en Corea y más tarde en Tokio, donde escribió su tesis sobre el compositor moderno Arnold Schönberg.
29 de ene. de 2006 · Nam June Paik's enormous contribution to the history of late-20 th-century art largely stems from his position as the first major Video artist. His groundbreaking exploration and use of modern technologies laid the foundation for a new generation of artists in today's complex media culture.
Nam June Paik (1932–2006), internationally recognized as the “Father of Video Art,” created a large body of work including video sculptures, installations, performances, videotapes and television productions.
13 de dic. de 2012 · Internationally recognized as the “father of video art,” Korean-born artist Nam June Paik (1932–2006) transformed twentieth-century art. His innovative media-based artwork was grounded in avant-garde music and performance art, which he used to expand video and television as artistic expressions.
The Worlds of Nam June Paik reflects the scope of Paik's remarkable career-from his transformation of broadcast television and video to his reconfiguration of laser into a new form of sculptural and installation art.
