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  1. Joan Jonas (Nueva York, 13 de julio de 1936) [1] es una artista visual estadounidense y pionera en el arte de performance y vídeo. Emergió a finales de los años sesenta y principios de los setenta. [2] Los proyectos de Jonas y sus experimentos proporcionaron la base sobre la que se basaría gran parte del arte de performance en vídeo.

  2. www.moma.org › artists › 2930Joan Jonas | MoMA

    Joan Jonas (born July 13, 1936) is an American visual artist and a pioneer of video and performance art, "a central figure in the performance art movement of the late 1960s". Jonas' projects and experiments were influential in the creation of video performance art as a medium.

  3. en.wikipedia.org › wiki › Joan_JonasJoan Jonas - Wikipedia

    Joan Jonas (born July 13, 1936) is an American visual artist and a pioneer of video and performance art, "a central figure in the performance art movement of the late 1960s". Jonas' projects and experiments were influential in the creation of video performance art as a medium.

  4. 20 de mar. de 2024 · Joan Jonass “Reanimation,” a video-sculpture installation that mixes arctic landscapes, folk tales, music and hanging glass, at MoMA. Clark Hodgin for The New York Times. Any art season is...

  5. 1 de mar. de 2024 · Meet One of America’s Most Elusive Artists. Joan Jonass maximalist, category-defying work combines video, performance, folklore, sculpture and ecology. At 87, she still has no intention of...

  6. Joan Jonas: Good Night Good Morning presents drawings, photographs, notebooks, oral histories, film screenings, performances, and a selection of the artist’s installations. Jonas continues to produce her most urgent work through immersive multimedia installations that address climate change and kinship between species.

  7. 16 de mar. de 2024 · Joan Jonas is an artist and filmmaker who, in the early 1970s, pioneered the use of video and performance in visual art, bringing the two disciplines together for the first time. She studied art history and sculpture, but quickly turned her hand to making performance, often situating herself within the work physically.