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  1. en.wikipedia.org › wiki › No_waveNo wave - Wikipedia

    No wave musicians such as the Contortions, Teenage Jesus and the Jerks, Mars, DNA, Theoretical Girls and Rhys Chatham began experimenting with noise, dissonance and atonality in addition to non-rock styles. The former four groups were included on the compilation No New York, often considered the quintessential testament to the scene.

  2. No wave; Orígenes musicales: Punk rock, rock experimental, música industrial, art punk, krautrock, noise, free jazz, avant-garde, drone: Orígenes culturales: Fue una contra-respuesta al new wave y al punk neoyorkino, debido a la gran comercialización que estos representaban. Instrumentos comunes: Guitarra - Bajo - Batería - Vocal ...

  3. 14 de ene. de 2008 · No Wave's deconstructive approach drew on other ancestors from the 1960s and '70s: the radical noise of free jazz musicians Albert Ayler and Sun Ra, the experimental blues-rock of Captain...

  4. en.wikipedia.org › wiki › James_ChanceJames Chance - Wikipedia

    A key figure in no wave, Chance has been playing a combination of improvisational jazz-like music and punk in the New York music scene since the late 1970s, in such bands as Teenage Jesus and the Jerks, James Chance and the Contortions, James White and the Blacks (as he appeared in the film Downtown 81), The Flaming Demonics, James ...

  5. Common influences include the 60’s sonic explorations of the Velvet Underground, The Doors, The Stooges, David Bowie, The New York Dolls, Robert Quine, Lou Reed, John Cale, Patti Smith, electronic synth duo Suicide and James Brown.

  6. 1 de mar. de 2024 · While there is nothing inherently wrong with this method of musical discovery, if you push your boundaries ever-so-slightly, you can discover a vibrant new world of musical brilliance, namely no wave. The no wave scene of New York’s underground is famously diverse and hard to pin down, largely by design.

  7. Reacting against punk rock’s recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance and atonality in addition to non-rock genres like free jazz and disco while often reflecting an abrasive, confrontational, and nihilistic worldview.