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  1. en.wikipedia.org › wiki › Roy_EldridgeRoy Eldridge - Wikipedia

    David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed " Little Jazz ", was an American jazz trumpeter.

  2. Roy Eldridge (born January 30, 1911, Pittsburgh, Pennsylvania, U.S.—died February 26, 1989, Valley Stream, New York) was an American trumpeter, one of the great creative musicians of the 1930s. A child prodigy, Eldridge began his professional career in 1917 when, on New Year’s Eve, he played the drums in his elder brother’s band.

  3. Roy David Eldridge fue un trompetista y cantante de jazz de los Estados Unidos de América. Nació en Pittsburg, Pensilvania, el 30 de enero de 1911, y falleció en Valley Stream, Nueva York, el 26 de febrero de 1989. Biografía. Tras aprender a tocar la batería y la trompeta, se une a la orquesta de Oliver Muldoon, con solo 16 años.

  4. www.encyclopedia.com › music-popular-and-jazz-biographies › roy-eldridgeRoy Eldridge | Encyclopedia.com

    17 de may. de 2018 · At a Glance …. Born David Roy Eldridge on January 30, 1911, in Pittsburgh, PA; son of Alexander and Blanche (Oakes) Eldridge; died on February 26, 1989, in Valley Stream, NY; married Viola Lee Fong, 1936 (died, 1989); children: Carole Elizabeth Eldridge.

  5. Bio. Also known as "Little Jazz," Roy Eldridge was a fiery, energetic trumpeter, the bridge between the towering trumpet stylists Louis Armstrong and Dizzy Gillespie. Some of the great rhythmic drive of Eldridge's later trumpet exploits could be traced to his beginnings on the drums, which he began playing at age six.

  6. Eldridge spent a lot of his ’70s playing at Ryan’s and recording with Pablo. Although his range had decreased a little, Eldridge’s competitive spirit was very strong. His horn could not be stopped by a stroke in 1980. Roy Eldridge recorded for almost every label throughout his career. Allmusic

  7. 31 de mar. de 2012 · Biography. Articles. News. Has Influenced. Roy David Eldridge was a jazz trumpet player in the Swing era. His sophisticated use of harmony, including the use of tritone substitutions, resulted in him sometimes being seen as the link between Louis Armstrong-era swing music and Dizzy Gillespie-era bebop.

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