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Ignaz Moscheles [1] (Ĭg´näts mōsh´əlĕs), 1794–1870, Bohemian-German musician. Born in Prague, Moscheles was a child prodigy. He studied in Vienna with Johann Albrechtsberger and Antonio Salieri [2] and prepared a piano score of Beethoven's Fidelio under the composer's direction.
More images. Profile: Ignaz (Isaac) Moscheles (23 May 1794 – 10 March 1870) was a Bohemian composer and virtuoso pianist, whose career was based initially in London, and later at Leipzig. Sites: Wikipedia. Variations: Viewing All | Ignaz Moscheles. Moscheles, I. Moscheles, Isaak-Ignaz Moscheles, Mocheles, モシェレス, Igniaz Moscheles ...
4 de abr. de 2015 · Moscheles explored. Ignaz Moscheles and the changing world of musical Europe. The last few years have witnessed increasing awareness of the compositions of Ignaz Moscheles (1794–1870). Seven out of his eight piano concertos are now available on CD (vols.29, 32 and 36 of Hyperion’s series The Romantic piano concerto, performed by Howard ...
Ignaz (født Isaac) Moscheles (født 23. maj 1794 i Prag, død 10. marts 1870 i Leipzig) var en bøhmisk musiker.. Moscheles havde i sin fødeby den ansete Dionys Weber til lærer og optrådte allerede i 14-års-alderen som klaverspiller.I Wien fortsatte han sine studier under Albrechtsberger og Salieri og modtog derhos et stærkt og varigt indtryk af Beethovens kunst og personlighed.
Ignaz Moscheles (AFI: [ˈɪɡnaːts ˈmɔʃələs]; Praga, 23 de maig de 1794 - 10 de març de 1870), compositor txec de Bohèmia i d'origen jueu. Va ser també un virtuós del piano . Pare de Felix Moscheles .
Isaac Ignaz Moscheles (23 May 1794– 10 March 1870) was a composer and piano virtuoso from Bohemia. He was born in Prague into a German speaking Jewish family. His father was a merchant, who himself played the guitar, and was eager to have a child who is a musician. Isaac moved to Vienna in 1808, where he changed his name to Ignaz.
24 de feb. de 2023 · Moscheles the pianist inspired passionate responses from audiences across Europe for over fifty years. From his first successes in Prague and Vienna, to rave reviews in Paris and an almost total domination of the London piano scene, critics extolled the virtues of his playing in enthusiastic and even worshipful terms, citing both his superiority to other players and the extent of his influence.
