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On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.
The End of the Affair Summary. Maurice Bendrix, who is both the protagonist and narrator of The End of the Affair, notes that this story is “a record of hate far more than of love.”. One cold and rainy night, Bendrix walks out of his apartment with the intention of going to a nearby pub. He catches sight of Henry Miles standing alone in the ...
From Oscar winner Neil Jordon comes THE END OF THE AFFAIR, a brilliant and powerful story of love, betrayal and sexual jealousy. On a rainy London night in 1946, novelist Maurice Bendrix (Fiennes) has a chance meeting with Henry Miles (Stephen Rea), husband of his ex-mistress Sarah (Moore) who two years before abruptly ended their affair.
13 de mar. de 2018 · The End of the Affair. Graham Greene’s masterful novel of love and betrayal in World War II London is “undeniably a major work of art” (The New Yorker). Maurice Bendrix, a writer in Clapham during the Blitz, develops an acquaintance with Sarah Miles, the bored, beautiful wife of a dull civil servant named Henry.
1 de jul. de 2022 · The End of the Affair (1999) ... Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.
Hace 6 días · Ben Howard - End Of The Affair (tradução) (Letra e música para ouvir) - The end of the after / The weight of a war / The kindness gone to bed / The weight of your laughter / Alive in the hall / Did he hear, did he hear the fumbled.
But in THE END OF THE AFFAIR, Christian and Catholic concerns produce only self-immolation. In AFFAIR, in other words, the narrative forces that normally make Greene's characters reach for principled (albeit futile) greatness simply point inward. The effect is that the anguished Bendrix and Sarah are private and small, not futile but still heroic.
