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  1. Alternate Not-Straight Lines (From the Right Side) and Broken Lines (From the Left Side) of Random Length Sol LeWitt • 1972. Cube Structure Based on Five Modules Sol LeWitt • 1972. Arcs From Sides or Corners, Grids & Circles Sol LeWitt • 1972. 8 Part Cube Sol LeWitt ...

  2. www.sfmoma.org › artist › Sol_LeWittSol LeWitt · SFMOMA

    Sol LeWitt. American. 1928, Hartford, Connecticut 2007, New York, New York. Biography. Starting from the simple but radical new idea that an artwork's concept is more important than its form, Sol LeWitt helped revolutionize the definition of art in the 1960s. By the middle of that decade, LeWitt had rejected the dominant, psychologically ...

  3. Solomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including conceptual art and minimalism. LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred to "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books.

  4. 13 de ago. de 2015 · Sol LeWitt comenzó a desarrollar sus trabajos murales en 1968, llegando a idear más de 1200 murales efímeros con el objetivo de establecer una relación más directa entre la obra y el espacio arquitectónico que la alberga, suprimiendo el encuadre que aprisiona el dibujo. Al utilizar la pared como superficie, LeWitt consigue establecer un diálogo abierto entre el dibujo y el propio ...

  5. Artist: Sol LeWitt (American, Hartford, Connecticut 1928–2007 New York) Date: 1974/1982. Medium: 122 Painted wooden structures and pencil on painted wooden base. Dimensions: Structures: 2 5/8 x 2 5/8 x 2 5/8 “ each. Base: 29 x 70 x 65”. Classification: Installations. Credit Line: Wadsworth Atheneum Museum of Art, Hartford, CT. The Douglas ...

  6. Sol LeWitt was a leader in the growth of conceptual art during the 1960s and 1970s. This was a reaction to the emotional qualities of abstract expressionism, and focused on the ideas behind the art as opposed to the actual objects. LeWitt employs teams of trained assistants to construct, print, or paint his pieces, and his written instructions usually became part of the finished work.

  7. Sol LeWitt used lines, geometric solids, ratio, patterns, formulas, and permutations to create his modern structures and wall paintings. The ziggurat and set-back skyscraper had the greatest influence on LeWitt's Four-Sided Pyramid.This structure (LeWitt did not use the term "sculpture" for his three-dimensional art) is made of blocks stacked and stepped back in an orderly pattern and is based ...

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