Search results
Hace 22 horas · Margaret Bourke-White Persone in lutto si arrampicano su un palo del telefono per vedere il corteo funebre dell’assassinato leader indiano Mohandas K. Gandhi. Altri si sono radunati in cima a un vecchio santuario di Delhi in lontananza New Delhi, India, febbraio 1948 Margaret Bourke-White/The LIFE Picture Collection/Shutterstock
Hace 2 días · Margaret Bourke-White: la mostra a Torino. Il percorso espositivo riunisce 150 immagini, oltre a una ricca selezione delle riviste su cui sono apparsi i principali servizi da lei realizzati. Margaret Bourke-White contribuirà infatti alla nascita della rivista Fortune, chiamata nel 1929 dall’editore Henry Luce, e poi della rivista LIFE.Sua sarà la copertina del primo numero, il 23 novembre ...
Hace 4 días · The figures whom the twins came in contact with and often worked directly with or for, read like a who’s who of New York society: Cecil Beaton, Edward Steichen, Margaret Bourke-White, Condé...
Hace 2 días · Margaret Bourke-White. Image Credit: Shutterstock / Everett Collection . One of the first female war photojournalists, Bourke-White photographed World War II for Life magazine.
Hace 3 días · The publishing industry enjoyed the success of documentary books like You Have Seen Their Faces by Erskine Caldwell and Margaret Bourke-White. 23 However, it was not only the belief in documentary’s ability to assess and render visible the effects of the Great Depression that elevated its status, but also its privileged position for rendering truthful depictions of actuality that could ...
Hace 2 días · Mit dem D-Day, der Landung der Alliierten in der Normandie vor 80 Jahren, kamen auch Kriegsreporterinnen nach Frankreich, eine war Lee Miller. Das Foto von ihr in Hitlers Badewanne ging später um die Welt. Zum ersten Mal gab es einen weiblichen Blick auf den von Männern geführten Krieg. Der Film erzählt von Margaret Bourke-White und Martha Gellhorn und Lee Miller – und wie sie den Krieg ...
Hace 3 días · By the ’30s she had moved on into territory occupied by Margaret Bourke-White and Charles Sheeler, an undeniably powerful example of which would be 1934’s Fageol Ventilators. In the ’50s she was at the height of her powers, fashioning deeply psychological portraits, such as 1959’s study of poet Theodore Roethke.
