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Hace 1 día · 16.99元. 名利场（上下册）在线阅读全文或下载到手机。. 穷画家的女儿蓓姬·夏普，自幼失去父母，但绝顶聪明。. 她以半工半读的方式从寄宿学校毕业后，由一名家庭小教师起步，牢牢抓住每一个机会，削尖了脑袋钻进维多利亚时代的上流社会，成为一颗光芒 ...
Hace 6 días · Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice.”. ― William Makepeace Thackeray, Vanity Fair. tags: mirrors. Read more quotes from William Makepeace Thackeray. Share this quote:
20 de may. de 2024 · How spake of old the Royal Seer? (His text is one I love to treat on.) This life of ours he said is sheer Mataiotes Mataioteton. O Student of this gilded Book, Declare, while musing on its pages, If truer words were ever spoke By ancient, or by modern sages! The various authors' names but note,* French, Spanish, English, Russians, Germans: And in the volume polyglot, Sure you may read a ...
Hace 6 días · Between 1846 and 1853and 1853 No. 16 was the home of William Makepeace Thackeray (one of Merriman's patients), whose residence here is marked by a Blue — or rather brown —Plaque above the front door put up in 1905. Thackeray described the house (then numbered 13 Young Street) in a letter to his mother in July 1846.
12 de may. de 2024 · Stanley Kubrick’s follow-up to the forbidding A Clockwork Orange (1971) is a stately, gorgeously crafted epic adaptation of William Makepeace Thackeray’s novel about the curious fates of an Irish rogue.Ryan O’Neal portrays Lyndon, and the film earned seven nominations including Best Picture, Directing, and Adapted Screenplay (all for Kubrick), with Oscars going to the Art Direction ...
15 de may. de 2024 · "The Rose and the Ring" by William Makepeace Thackeray is a whimsical and satirical fairy tale that delves into themes of vanity, ambition, and the ficklenes...
18 de may. de 2024 · Hailed as a literary masterpiece upon first publication, William Makepeace Thackeray's Vanity Fair has never waned in popularity and remains a highly entertaining satire of early nineteenth-century high society. This gorgeous edition includes an afterword by the prizewinning author and critic, Henry Hitchings.
