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  1. 1 de may. de 2024 · "Mouvement de Valse" (in the time of a waltz)no.15 from 25 études faciles, op.50Composer: Louise Farrenc This piece is featured on the ABRSM GRADE 4 Piano sy...

  2. 1 de may. de 2024 · Louise Farrenc (1804-1875) "Die Interpretationen legen die Energie, Dynamik und originellen Details von Farrencs Musik frei. Bravourös meistert Konstanze Eickhorst die anspruchsvollen Klavierparts, die das pianistische Können der Komponistin bezeugen ...

  3. Hace 2 días · Louise FARRENC Sextet. Ludwig van BEETHOVEN Septet Op. 20 (arr. for wind nonet by Georg Druschetsky) Event Artists Paul Edmund-Davies, flute Katherine Needleman, Vincent Boilard, oboes Afendi Yusuf, Todd Cope, Stéphane Fontaine, clarinets Andrew Brady, Mathieu Harel, Mathieu Lussier, bassoons Rose Deschênes, Sarah Amahrit, horns Louis Lortie, Pierre-Richard Aubin, piano

  4. 8 de may. de 2024 · After some listening and research, my exploration expanded beyond Chaminade (1857-1944) to encompass the works of two other French women composers, Hélène de Montgeroult (1762-1836) and Louise Farrenc (1804-1875). Their contributions, spanning the Classical and Romantic eras, gained them significant acclaim during their lifetimes.

  5. Janice Carissa and Clayton Stephenson, 2022 Gilmore Young Artists will perform Bruch’s Romantic Concerto for Two Pianos, Op. 88a, with Andrew Grams conducting. The program will open with Louise Farrenc’s Overture in E-flat Major, Op. 24, a fiery and celebratory work infused with the Parisian energy of the 19th Century.

  6. Hace 5 días · De Louise Farrenc, la Symphonie n° 3 en sol mineur datée de 1847 a déjà été enregistrée à plusieurs reprises. Belle lecture de l’Orchestre national de Metz et David Reiland de cette œuvre elle aussi parfaitement de son époque, dont le romantisme fraternise avec celui de Schumann et Mendelssohn : la forme est savante, l’inspiration haute, le caractère noble, le discours ...

  7. 28 de abr. de 2024 · French composers Louise Farrenc and Joseph Bologne are brought to the forefront on this program, with Farrenc’s 35-minute Symphony No. 3 in G minor and Bologne’s Symphony No. 2 in D. Bologne was a contemporary of Mozart, whose Overture to La clemenza di Tito opens the concert. You may find similarities between the two, unlike Farrenc’s symphony and the German composers of her era.

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