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  1. Libeled Lady. Approved · 1936 · Comedia · 1 h. 38 m. Cuando Loy, una diva social, calumnia al periodista Tracy, éste decide contraatacar implicando en el asunto a su prometida y al desafortunado Powell, un famosísimo pescador deportivo. El plan de Tracy incluye un matrimonio improvisado, una falsa seducción, la pesca de la trucha ...

  2. 3 de mar. de 2005 · March 3, 2005. More intriguing for behind-the-scenes gossip than its rather familiar screwball comedy machinations, Libeled Lady pairs that debonair fast-talking duo from the Thin Man films (William Powell and Myrna Loy) so they can engage in what they do best: sly innuendo, sarcastic digs, and verbose lovemaking.

  3. Una Mujer Difamada (Libeled Lady) (1936) de Jack Conway. Dirección: Jack Conway. Intérpretes: William Powell, Myrna Loy, Jean Harlow, Spencer Tracy. Con guión de George Oppenheimer ( “Un Día En Las Carreras”, “Un Romance Para Tres”), Howard Emmett Rogers (“Jaque Al Rey”, “Una Hora En Blanco”) y Maurine Watkins (“Un ...

  4. 30 de dic. de 2020 · Libeled Lady (1936) #WarnerArchive #WarnerBros #LibeledLadyBill Chandler (William Powell) is one of America's great anglers, a sport fisherman without peer, ...

  5. Libeled Lady is a sophisticated screwball comedy, which tells the story of an heiress named Connie Allenbury (Myrna Loy) who is wrongly accused of breaking up a marriage.As a result, she decides to sue the publication in question to the tune of five million dollars for libel. Managing editor Warren Haggerty (Spencer Tracy) enlists the help of his suave former reporter friend, Bill Chandler ...

  6. 19 de mar. de 2014 · Dirección: Jack Conway Reparto: Jean Harlow, William Powell, Myrna Loy, Spencer Tracy, Walter Connolly, Charley Grapewin Título en V.O: Libeled Lady Nacionalidad: USA Año: 1936 Duración: 98 ...

  7. Libeled Lady” is in the genre of ‘spouse swap comedy.’ It isn’t quite screwy enough to be a screwball, and doesn’t have manners enough to be a comedy of manners. What it does have are four of Hollywood’s most buoyant legends, who lift its dense but meaningless plot up to pretty-greatness territory.