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Kelly's concern with color as form was thus established. After returning to the United States in 1954, Kelly worked with large single biomorphic shapes in black and white. Primary colors reappeared in his paintings after 1957, either in double or triple variations or singly in contrast with white, as in Blue on White [SAAM, 1969.47.63].
Ellsworth Kelly’s innovations of the late 1940s and early 1950s helped reshape abstract art for decades. His development of the monochrome and the multi-panel painting, his devotion to integral forms, and his use of chance and seriality would prove central to painting’s break with expressionism in the 1960s. But his approach to abstraction was also utterly unique, grounded in particulars ...
Ellsworth Kelly en 2008 à Los Angeles. Ellsworth Kelly, né le 31 mai 1923 à Newburgh, dans l' État de New York, et mort le 27 décembre 2015 à Spencertown ( Austerlitz) 1, est un peintre et sculpteur abstrait américain dont le style des œuvres est apparenté aux courants du Color Field painting et du minimalisme .
4 de may. de 2024 · Célébration du centenaire de la naissance de l’artiste, « Ellsworth Kelly.Formes et Couleurs, 1949-2015 » est la première exposition en France à aborder de manière aussi large l’œuvre de ce créateur essentiel de la seconde moitié du XXe siècle, tant par sa chronologie que par les techniques qu’elle réunit. Organisée avec le Glenstone Museum (Potomac, Maryland) et en ...
Ellsworth Kelly: Obras - Todas las Obras por fecha 1→10. Obras Obras famosas (9) Todas las Obras por fecha 1→10 (145) Todas las Obras por fecha 10→1 (145) Todas las Obras por nombre (145) Estilos Concretism (15) Arte Pop (5) Hard Edge (borde duro) (71) Minimalismo (51) Pintura de ...
Ellsworth Kelly (May 31, 1923 – December 27, 2015) was an American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting and minimalism.His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland.Kelly often employed bright colors.
At the time of its production in 1951, Colors for a Large Wall was the largest painting Kelly had ever made. It brings together four strategies fundamental to modernism: the additive composition of similar elements (each square is painted separately), the use of chance (each square is arranged randomly), the idea of the readymade (each color was taken from the French craft paper Kelly used to ...
