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1459 - Jan 12, 1537. Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci.
8 de feb. de 2022 · Resumen. Lorenzo di Credi, en realidad Lorenzo di Andrea d»Oderigo, († 12 de enero de 1537 en Florencia) fue un pintor, orfebre y escultor italiano. Lorenzo di Credi era hijo y alumno del orfebre Andra d»Oderigo. Desde muy joven aprendió el oficio de pintor y también el de escultor en el taller de Andrea del Verrocchio.
Lorenzo di Credi (Lorenzo d’Andrea d’Oderigo) was born in Florence in about 1459 and was the son of a goldsmith.The polymath, Giorgio Vasari described him as, “a young man of beautiful intellect and excellent character,” who was tutored in artistic praxis by Andrea del Vercocchio. Vasari then goes on to reveal that, “having Pietro Perugino and Leonardo da Vinci as his companions and ...
Retrato de Perugino. Retrato de Pietro Perugino, Galleria degli Uffizi, Florencia. Autorretrato de Pietro Perugino, Collegio del Cambio, Perugia. Retrato del Perugino es un óleo sobre tabla de 59x46 cm atribuido al joven Rafael Sanzio o a Lorenzo di Credi, datable ca. 1504. Se conserva en la Galleria degli Uffizi (Florencia).
Lorenzo di Credi (født 1459 i Firenze, død 1537 sammesteds) var en italiensk maler af den florentinske skole.. Lorenzo di Credi var først i guldsmedelære hos sin far Andrea d’Oderigo, men blev derefter elev af Andrea del Verrocchio, til hvem han var nær knyttet både som medhjælper og lærling og også ved personligt venskabsbånd, så at Verrochio testamenterede ham hele sit bohave ...
Perugino, Portrait of Lorenzo di Credi, 1488. Oil on panel, 18 x 12 in. Washington, D.C., National Gallery of Art.]] Portrait of a Young Woman, ca 1490. New York, Metropolitan Museum of Art. Madonna adoring the Child with the Infant Saint John the Baptist, circa 1485.
LORENZO DI CREDI (b. ca. 1459, Firenze, d. 1537, Firenze) Portrait of a Young Woman 1475-80 Tempera and oil on wood, 59 x 40 cm Metropolitan Museum of Art, New York: This painting reflects an important step in the evolution of Florentine portraits of women: earlier examples almost always show them bust-length and in profile.
