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  1. 21 de ene. de 2024 · Séraphitüs-Séraphîta. go to album. Micro Crunch Noise by ShºMºx. Marvelous static minimalism. Deliciously textured. Perfection. Séraphitüs-Séraphîta. go to album. Pool-rats and DNA Star-loop by fear of horses. I find myself revisiting this again and again. Beautiful, lush, and ominous.

  2. seraphitus-seraphita.bandcamp.com › album › --4Séraphitüs-Séraphîta

    8 de may. de 2024 · Sounds that are both foreign and familiar… Saint Elisabeth plunges us deep into disconnectedness, with what feels like an endless, desperate search for Hope through a hellish environment. There is a persistence of mind and soul of this astronaut that is admirable. 🖤 And these textures are inspiring 🙌 Séraphitüs-Séraphîta. go to album

  3. Séraphîta (French pronunciation: [seʁafita]) is a French novel by Honoré de Balzac with themes of androgyny. It was published in the Revue de Paris in 1834. In contrast with the realism of most of the author's best known works, the story delves into the fantastic and the supernatural to illustrate philosophical themes. In reality, Séraphitüs-Séraphîta is a perfect androgyne, born to ...

  4. Stream Trey Spruance - Séraphîta: III. Séraphîtüs by kronosquartet on desktop and mobile. Play over 320 million tracks for free on SoundCloud.

  5. 27 de feb. de 2024 · Desert Mother by Séraphitüs-Séraphîta, released 27 February 2024 1. Into the Desert 2. Asceticism & Autonomy 3. Martyrs of Antioch and Ancyra 4. “I am a woman in sex but not in spirit” 5. Disguised Until Death This body of work is a devotional, meditative reflection on the ascetic lives of the great rebel virgins and Desert Mothers.

  6. 9 de dic. de 2023 · Is there no way out of the mind? by Séraphitüs-Séraphîta, released 09 December 2023 1. Is there no way out of the mind? “Is there no way out of the mind?” - Sylvia Plath A battle to break free of the limitations of the mind, symbolized through harsh noise wall. With very few split-second moments of quiet that denote Light and Hope.

  7. 2 de ene. de 2020 · The article closes by comparing La Fille aux yeux d’or (1834–35) and Séraphîta, two coeval narratives at opposite ends of the moral and chromatic spectrum, but which both demonstrate ...