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From the mysterious marriage in "Morella", to the satirical and secretive vistas of "The Man That Was Used Up", or the depressed Roderick Usher, the reader is facing the first volume of E. A. Poe’s tales. Teeming with melancholy and vampirism, verging on the sanity’s uttermost rim, Poe’s characters often fall victims to supernatural happenings.
Tales of the Grotesque and Arabesque is a collection of previously-published short stories from the dark pen of Edgar Allan Poe, first published in 1840. In his preface, Poe wrote the now-famous quote defending himself from the criticism that his tales were part of Germanism .
Tales of the Grotesque and Arabesque, inscribed Edgar Allan Poe, 1840 POE, Edgar Allan (1809-1849). ... Tales was a milestone in Poe's career as it marked the culmination of his long-standing efforts (beginning as early as 1834) to have his prose published in book form.
14 de ene. de 2014 · Synopsis. The epithets "Grotesque" and "Arabesque" will be found to indicate with sufficient precision the prevalent tenor of the tales here published. But from the fact that, during a period of some two or three years, I have written five- and-twenty short stories whose general character may be so briefly defined, it cannot be fairly inferred ...
Information Tales of the Grotesque and Arabesque. Author: Edgar Allan Poe. Publication Date: 1840. Main Characters: Although it is a collection of stories, there are no recurring characters that appear throughout all the tales. Some of the most well-known characters include: William Wilson: A student with an evil doppelganger. Prince Prospero: The protagonist of “The Masque of the Red Death.”
Tales of the Grotesque and Arabesque. In Two Volumes. Vol. II. by Edgar Allan Poe, 1809-1849 About | Collections | Authors | Titles | Subjects | Geographic | K-12 | Facebook | Buy DocSouth Books. Collections >> Library of Southern Literature >> Document Menu Edgar Allan Poe, 1809-1849.
Critics and biographers have seen facets of Poe's spirit scattered here and there in the protagonists of the grotesque events he described. These bitter parallels still provoke extreme melancholy today, especially if one reflects on the posthumous success achieved by the author, almost a mockery of destiny.
