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Forget everything about Wayne Kramer that you know, the hard rock, Detroit, the MC5 ... PS - Lexington, concept and album title, refer to Lexington, Kentucky, prison for drug offenders, where Kramer spent two years in the late 70s. He played in a prison band led by bebop trumpet legend Red Rodney.
13 de jun. de 2014 · This spring, singer-guitarist Wayne Kramer – formerly of the Detroit revolution-rock band the MC5 – hit a weird milestone, his first Top Ten album. The weird bits: Lexington (Industrial ...
18 de abr. de 2014 · Wayne Kramer is someone whose life story I'd very much like to read. From lead guitar in the Mighty MC5 to prison inmate to social activist to new father, Kramer's life has an interesting story in every chapter. His latest record release (and first jazz album), Lexington, (from Kramer's own label, ...
3 de feb. de 2024 · Wayne Kramer, the co-founder, lead guitarist, and vocalist of the legendary Detroit proto-punk band MC5, ... While incarcerated at FMC Lexington, he befriended Red Rooney, a jazz trumpeter who had played with Charlie Parker. Upon his release, he briefly teamed up with Johnny Thunders in the band Gang War and joined Was (Not Was).
2 de feb. de 2024 · Wayne Kramer, the co-founding guitarist and composer of Detroit’s punk band MC5, whose social activism carried on throughout his lengthy solo career, died on Friday at 75. The news was confirmed ...
2 de mar. de 2016 · Wayne Kramer and The Lexington Arts Ensemble – Lexington (Industrial Amusement, 2014) Wayne Kramer – Guitar, Producer Dr. Charles Moore – Trumpet, Flugelhorn, Arranger Ralph “Buzzy” Jones – Reeds Phil Ranelin- Trombone Bob Hurst – Acoustic Bass Doug Lunn – Electric Bass Tigran Hamasyan- Piano Brock Avery – Drums Eric Gardner-Drums 1. Chasing ...
This spring, singer-guitarist Wayne Kramer – formerly of the Detroit revolution-rock band the MC5 – hit a weird milestone, his first Top Ten album. The weird bits: Lexington (Industrial Amusement), credited to Kramer and the Lexington Arts Ensemble, is an all-instrumental record; it was Top Ten on Soundscan’s traditional jazz chart; and it is anything but traditional.
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