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By Caroline Catz. All images from Delia Derbyshire: The Myths And The Legendary Tapes care of the author. Caroline Catz’s short film Delia Derbyshire: The Myths And The Legendary Tapes (2017) screened at this year’s BFI London Film Festival and is a playful, inventive and respectful portrait of Delia Derbyshire’s time at the BBC Radiophonic Workshop leading up to her decision to leave ...
22 de feb. de 2021 · Delia Derbyshire - "Falling" suddenly i’m falling i’m falling upright i was falling and twisting i’m falling uprightslow twist head over feet stretching outi...
12 de oct. de 2023 · October 12, 2023. In the mid-1960s, Delia Derbyshire collaborated with playwright Barry Bermange on ‘ Inventions For Radio ’, a series of groundbreaking sound collages. Dr David Butler, curator of the Delia Derbyshire Archive, looks ahead to a forthcoming boxset of these pivotal radiophonic recordings. “Delia was working on ‘Inventions ...
17 de may. de 2021 · An interview with Caroline Catz, director of a psycho-acoustic exploration of electronic music pioneer Delia Derbyshire.‘Radio was the most important thing i...
16 de mar. de 2021 · Delia Derbyshire: The Myths and Legendary Tapes: Directed by Caroline Catz. With Caroline Catz, Honor-Ray Caplan-Higgs, Richard Glover, Zachary Hart. A portrait of the character and legacy of electronic sound pioneer Delia Derbyshire, who realized the Doctor Who theme tune in 1963 and explores the idea that this extraordinary composer lived outside of time and space as other people experience it.
Delia Derbyshire Day has developed as a result of the Delia Derbyshire Archive being donated to The University of Manchester in 2007 by the composer and archivist of the BBC Radiophonic Workshop, Mark Ayres. The archive has since expanded as more items have been acquired or donated to the John Rylands Library including Delia’s schoolbooks ...
Delia Derbyshire was born in Coventry, England, in 1937. Educated at Coventry Grammar School and Girton College, Cambridge, where she was awarded a degree in mathematics and music. In 1959, on approaching Decca records, Delia was told that the company DID NOT employ women in their recording studios, so she went to work for the UN in Geneva before returning to London to work for music ...
